Michael Skey
University of East Anglia
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The Sociological Review | 2009
Michael Skey
This paper is designed to provide a critical engagement with Michael Billigs seminal thesis of Banal Nationalism (1995), perhaps the most influential study of everyday forms of nationhood. With an increasing number now focusing on the (re) production, dissemination and negotiation of the national through routine texts and practices (cf Foster, 2002; Edensor, 2002; Madianou, 2005; Brubaker et al., 2006; Bratsis, 2006) and others employing the concept of banality in relation to non-national (Gorringe, 2006) and post-national identities (Aksoy and Robins, 2002; Szerszynski and Urry, 2002; Beck, 2006; Cram, 2001), it would seem like an opportune moment to assess Billigs contribution and also the limits of his approach.
British Journal of Sociology | 2013
Michael Skey
This paper explores the reasons why national forms of identification and organization (might) matter in the contemporary era. In contrast to the majority of macro-sociological work dealing with this topic, I develop an analytical framework that draws together recent research on everyday nationalism with micro-sociological and psychological studies pointing to the importance of routine practices, institutional arrangements and symbolic systems in contributing to a relatively settled sense of identity, place and community. The second part of the paper focuses on the hierarchies of belonging that operate within a given national setting. Of particular interest is the largely taken-for-granted status of the ethnic majority and the degree to which it underpins claims to belonging and entitlement that are used to secure key allocative and authoritative resources.
Cultural Sociology | 2012
Michael Skey
The cosmopolitan has re-emerged as a popular figure within the social sciences, primarily as a means of addressing (the potential for) new forms of experience and sociability in an increasingly mobile and interconnected world. Investigations into practical or everyday cosmopolitanism have been useful in grounding some of the more theoretical of these debates but problems remain in terms of both defining and operationalizing the concept. The first section of the paper briefly addresses some key theoretical debates. In the second section, attention is focused on methodological issues, with regard to both data collection and interpretation. In particular, I suggest a move beyond labelling people and practices as cosmopolitan and, instead, emphasize the contradictory and rhetorical aspects of these engagements, drawing on empirical data. In this way, the temporal, conditional and often fragile aspects of such ‘cosmopolitan’ practices can be foregrounded.
Identities-global Studies in Culture and Power | 2013
Michael Skey
The literature on cosmopolitanism has mushroomed in the past decade or more as attempts are made to theorise new patterns of mobility, interactions between previously distant social groups and the emergence of institutions to manage these processes. In this paper, I build on the arguments of those who have emphasised the strategic aspects and temporal dimensions of cosmopolitan expressions and practices, by focusing on the resources and constraints that different actors operate with, or under, and, as a result, the varying commitments they have to different ‘others’. Using this type of grounded approach, a number of Illustrative examples from a study of social identities in England are then analysed and used to theorise cosmopolitanism, as a perspective that is periodically articulated, in relation to specific needs, contexts or prompts, rather than being an inherent property of particular individuals, groups or situations.
The Political Quarterly | 2014
Michael Skey
Current debates around immigration are informed by hierarchies of belonging with some groups seen to belong more, and therefore deserve more, than others. This link between belonging and entitlement has been predominantly analysed in relation to struggles over access to key material benefits, such as jobs, housing, healthcare and so on. This paper will argue that these struggles also point to the continuing relevance of nationhood to many people’s sense of self, community and place and the value that comes from being positioned, and recognised, as part of a group that lies at the heart of national life and culture. In other words, the ‘politics of immigration’ is about the anxieties and concerns of those who no longer feel ‘at home’ in what they consider to be ‘their’ country.
Ethnicities | 2012
Michael Skey
As well as prompting an urgent reassessment of constitutional and legislative matters, processes of devolution have also contributed to a series of wide-ranging debates on identity in Britain. Yet, outside of survey data and a growing body of work looking to assess the status of minorities in Britain, relatively little has been heard from the wider population. This is particularly true for those who constitute the majority group within Britain, the English. In this paper, I want to offer a complementary perspective by using data from qualitative interviews to explore the ways in which members of the ‘ethnic majority’ in England discuss these issues. The findings suggest a tentative, but noticeable, shift towards an English identity, which is often defined as a necessary response to the increasing assertiveness of ‘other’ national groups within Britain.
Progress in Human Geography | 2017
Marco Antonsich; Michael Skey
This commentary was published in the journal, Progress in Human Geography [SAGE
National Identities | 2015
Michael Skey
Sport, and, in particular, football, has become an important lens for examining processes of globalisation and, increasingly, cosmopolitanism. In this paper, I explore the ways in which competing national and cosmopolitan discourses are articulated by and through the medias reporting of football. Analysing coverage of the appointment of three recent managers of the English national team, two foreign, one English, I show how ideas about (national) self, other and place are being scrutinised and negotiated in the contemporary era. However, rather than rendering national modes of thinking obsolete, these debates point to the periodic emergence of conditional forms of cosmopolitanism.
Sociology | 2017
Michael Skey
The visual environment has increasingly been used as a lens with which to understand wider processes of social and economic change, with studies employing in-depth qualitative approaches to focus on, for example, gentrification or trans-national networks. This exploratory article offers an alternative perspective by using a novel method, quantitative photo mapping, to examine the extent to which a particular socio-cultural marker, the nation, is ‘flagged’ across three contrasting sites in Britain. As a multi-national state with an increasingly diverse population, Britain offers a particularly fruitful case study, drawing in debates around devolution, European integration and Commonwealth migration. In contributing to wider debates around banal nationalism, the article notes the extent to which nations are increasingly articulated through commerce, consumption and market exchange, and the overall significance of everyday markers (signs, objects, infrastructure) in naturalising a national view of the world.
International Journal of Cultural Studies | 2018
Maria Kyriakidou; Michael Skey; Julie Uldam; Patrick McCurdy
Academic literature on media events is increasingly concerned with their global dimensions and the applicability of Dayan and Katz’s theoretical concept in a post-national context. This article contributes to this debate by exploring the Eurovision Song Contest (ESC) as a global media event. In particular, we employ a perspective from ‘inside the media event’, drawing upon empirical material collected during the 2014 Eurovision final in Copenhagen and focusing on the experiences of fans attending the contest. We argue that the ESC as a media event is experienced by its fans as a cosmopolitan space, open and diverse, whereas national belonging is expressed in a playful way tied to the overall visual aesthetics of the contest. However, the bounded and narrow character of participation render this cosmopolitan space rather limited.