Michelle A. Massé
Louisiana State University
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Womens Studies International Forum | 1988
Michelle A. Massé; Karen E. Rosenblum
Abstract Images from advertisements in six traditional womens and mens magazines in the United States are analyzed for the ways they depict objects and figures, sex segregation, and sex differentiation in the posing of figures through size, stance, smile, touch, and gaze. Evaluation of the data considers the landscape of advertising, representation of self and other in mens and in womens magazines, and gender differences in total advertising from all magazines. Analysis reveals that advertising offers a world of material objects detached from people, of individuals disengaged from others in general, and disassociated from others of the opposite sex in particular. Ads from gender-typed magazines depict a sex-segregated world populated by figures of the same sex as potential viewers. While representatives of the “other” sex seek connection through touch or gaze, representatives of the “self” remain self-absorbed and unresponsive. In addition, certain differences in gender representation of female figures remain constant in both types of magazines: female figures are more likely than male to be stance-subordinated and to display connection through smile, touch, and gaze. A final section on content analysis augments the descriptive statistical findings.
Archive | 1992
Michelle A. Massé
Signs | 1990
Michelle A. Massé
SUNY Press | 2010
Michelle A. Massé; Katie Hogan
Gothic Studies | 2000
Michelle A. Massé
A New Companion to the Gothic | 2012
Michelle A. Massé
Journal of Aging Studies | 2003
Michelle A. Massé
Archive | 1981
Michelle A. Massé
Archive | 2012
Michelle A. Massé
Archive | 2011
Michelle A. Massé