Mike Lucas

‘Nomadic’ organization and the experience of journeying: Through liminal spaces and organizing places

This paper explores the authors experience of ‘nomadic’ organization [Deleuze, G., and F. Guattari. 1988. A Thousand Plateaus. London: Continuum] through the findings of an ethnographic study of an annual folk-culture community festival in a rural region of Sweden. The study concerned the practices of one small village community organizing group, of which the author was a member, in contributing to the festival. Using autoethnographic methods, the author brings together phenomenological theories of embodied knowledge [Merleau-Ponty, M. 1962. The Phenomenology of Perception. Abingon: Routledge; Küpers, W. 2011. “Dancing on the Līmen – Embodied and Creative Inter-Places as Thresholds of Be(com)ing: Phenomenological Perspectives on Liminality and Transitional Spaces in Organisation and Leadership.” Tamara – Journal for Critical Organization Inquiry Special Issue on Liminality 9 (3–4): 45–59.] and process theories or organizing [Chia, R. 1999. “A Rhizomic Model of Organizational Change and Transformation: Perspective from a Metaphysics of Change.” British Journal of Management 10 (2): 209–227; Tsoukas, H., and R. Chia. 2002. “On Organizational Becoming: Rethinking Organizational Change.” Organization Science 13 (5): 567–582] to examine his experiences of nomadic ‘journeying’. This highlights his movement in and through liminal spaces, both physical and metaphorical, as part of the research project, and his engagement with fellow participants in the co-construction of a place as part of the festival site organization. The impacts of these experiences on the author and their implications for the spatial relations of organizing are examined using fragments of reflexion, incorporating photographic and poetic elements.

The organizing practices of a community festival

Purpose – The purpose of this paper is to present a part of a research study, undertaken over three years, in which the author observed the organization of an annual, community-based, arts and crafts festival in rural central Sweden. By examining the participation of a specific village community group in the organization of the festival, this paper sets out to explore links between the practices of organizing and the culture of a community group engaged in them. Design/methodology/approach – The research study was conducted over three annual cycles of the festival, and its methods reflected the authors position as both a tourist visitor to the festival and a volunteer participant. This paper presents a “thick-description” of the work of a single community volunteer group in the annual organization their villages festival contribution, based on observational and informal interview data from the authors position as a member of that group, and some of the photographic data gathered. Findings – The account...