Mikkel Wallentin

Putative sex differences in verbal abilities and language cortex: a critical review.

This review brings together evidence from a diverse field of methods for investigating sex differences in language processing. Differences are found in certain language-related deficits, such as stuttering, dyslexia, autism and schizophrenia. Common to these is that language problems may follow from, rather than cause the deficit. Large studies have been conducted on sex differences in verbal abilities within the normal population, and a careful reading of the results suggests that differences in language proficiency do not exist. Early differences in language acquisition show a slight advantage for girls, but this gradually disappears. A difference in language lateralization of brain structure and function in adults has also been suggested, perhaps following size differences in the corpus callosum. Neither of these claims is substantiated by evidence. In addition, overall results from studies on regional grey matter distribution using voxel-based morphometry, indicate no consistent differences between males and females in language-related cortical regions. Language function in Wada tests, aphasia, and in normal ageing also fails to show sex differentiation.

It don't mean a thing... Keeping the rhythm during polyrhythmic tension, activates language areas (BA47).

Music is experienced and understood on the basis of foreground/background relationships created between actual music and the underlying meter. In contemporary styles of music so-called polyrhythmic, structures hence create tension between a counter pulse and the main pulse. This exerts a marked influence on the listener, particularly when the experience of the original meter is maintained during the counter pulse. We here demonstrate that Brodmann area 47, an area associated with higher processing of language, is activated bilaterally when musicians tap the main pulse in a polymetric context where the music emphasizes a counter meter. This suggests that the processing of metric elements of music relies on brain areas also involved in language comprehension. We propose that BA47 is involved in general neuronal processing of temporal coherence subserving both language and music.

Syncopation, body-movement and pleasure in groove music.

Moving to music is an essential human pleasure particularly related to musical groove. Structurally, music associated with groove is often characterised by rhythmic complexity in the form of syncopation, frequently observed in musical styles such as funk, hip-hop and electronic dance music. Structural complexity has been related to positive affect in music more broadly, but the function of syncopation in eliciting pleasure and body-movement in groove is unknown. Here we report results from a web-based survey which investigated the relationship between syncopation and ratings of wanting to move and experienced pleasure. Participants heard funk drum-breaks with varying degrees of syncopation and audio entropy, and rated the extent to which the drum-breaks made them want to move and how much pleasure they experienced. While entropy was found to be a poor predictor of wanting to move and pleasure, the results showed that medium degrees of syncopation elicited the most desire to move and the most pleasure, particularly for participants who enjoy dancing to music. Hence, there is an inverted U-shaped relationship between syncopation, body-movement and pleasure, and syncopation seems to be an important structural factor in embodied and affective responses to groove.

Motion verb sentences activate left posterior middle temporal cortex despite static context.

The left posterior middle temporal region, anterior to V5/MT, has been shown to be responsive both to images with implied motion, to simulated motion, and to motion verbs. In this study, we investigated whether sentence context alters the response of the left posterior middle temporal region. ‘Fictive motion’ sentences are sentences in which an inanimate subject noun, semantically incapable of self movement, is coupled with a motion verb, yielding an apparent semantic contradiction (e.g. ‘The path comes into the garden.’). However, this context yields no less activation in the left posterior middle temporal region than sentences in which the motion can be applied to the subject noun. We speculate that the left posterior middle temporal region activity in fictive motion sentences reflects the fact that the hearer applies motion to the depicted scenario by scanning it egocentrically.

Concrete spatial language: see what I mean?

Conveying complex mental scenarios is at the heart of human language. Advances in cognitive linguistics suggest this is mediated by an ability to activate cognitive systems involved in non-linguistic processing of spatial information. In this fMRI-study, we compare sentences with a concrete spatial meaning to sentences with an abstract meaning. Using this contrast, we demonstrate that sentence meaning involving motion in a concrete topographical context, whether linked to animate or inanimate subjects nouns, yield more activation in a bilateral posterior network, including fusiform/parahippocampal, and retrosplenial regions, and the temporal-occipital-parietal junction. These areas have previously been shown to be involved in mental navigation and spatial memory tasks. Sentences with an abstract setting activate an extended largely left-lateralised network in the anterior temporal, and inferior and superior prefrontal cortices, previously found activated by comprehension of complex semantics such as narratives. These findings support a model of language, where the understanding of spatial semantic content emerges from the recruitment of brain regions involved in non-linguistic spatial processing.

Music in minor activates limbic structures : a relationship with dissonance?

Using functional magnetic resonance imaging, we contrasted major and minor mode melodies controlled for liking to study the neural basis of musical mode perception. To examine the influence of the larger dissonance in minor melodies on neural activation differences, we further introduced a strongly dissonant stimulus, in the form of a chromatic scale. Minor mode melodies were evaluated as sadder than major melodies, and in comparison they caused increased activity in limbic structures, namely left parahippocampal gyrus, bilateral ventral anterior cingulate, and in left medial prefrontal cortex. Dissonance explained some, but not all, of the heightened activity in the limbic structures when listening to minor mode music.

Amygdala and heart rate variability responses from listening to emotionally intense parts of a story

Emotions are often understood in relation to conditioned responses. Narrative emotions, however, cannot be reduced to a simple associative relationship between emotion words and their experienced counterparts. Intensity in stories may arise without any overt emotion depicting words and vice versa. In this fMRI study we investigated BOLD responses to naturally fluctuating emotions evoked by listening to a story. The emotional intensity profile of the text was found through a rating study. The validity of this profile was supported by heart rate variability (HRV) data showing a significant correspondence across participants between intensity ratings and HRV measurements obtained during fMRI. With this ecologically valid stimulus we found that narrative intensity was accompanied by activation in temporal cortices, medial geniculate nuclei in the thalamus and amygdala, brain regions that are all part of the system for processing conditioned emotional responses to auditory stimuli. These findings suggest that this system also underpins narrative emotions in spite of their complex nature. Traditional language regions and premotor cortices were also activated during intense parts of the story whereas orbitofrontal cortex was found linked to emotion with positive valence, regardless of level of intensity.

The production and detection of deception in an interactive game.

This experiment tests how people produce and detect deception while playing a computerized version of the dice game, Meyer. Deception is an integral part of this game, and the participants played it as in real life, without constraints on whether or when to attempt to deceive their opponent, and whether or when to accuse them of deception. We stress that deception is a complex act that cannot be exclusively associated with telling a falsehood, and that it is facilitated by hierarchical decision-making and risk evaluation. In comparison with a non-competitive control condition, both claiming truthfully and claiming falsely were associated with activity in fronto-polar cortex (BA10). However, relative to true claims, false claims were associated with greater activity in the premotor and parietal cortices. We speculate that the activity in BA10 is associated with the development of high-level executive strategies involved in both types of claim, while the premotor and parietal activity is associated with the need to select which particular claim to make.

Working memory and musical competence of musicians and non-musicians:

Musical ability has been found to be associated with an enhancement of verbal working memory. In this study, we investigated whether this effect would generalize to visual-spatial working memory as would be expected if the effect were driven by general intelligence. We administered the WAIS-III Digit Span; the WMS-III Spatial Span; and the Musical Ear Test (MET), a forced-choice same/different listening task measuring musical ability, to non-musicians, amateur musicians, and expert musicians. Expert musicians significantly outperformed non-musicians on the Digit Span. Additionally, Digit Span Forward scores were found to be correlated with MET total scores and with scores on the rhythm subtest of the MET. No between-group differences were found on the Spatial Span.

From Vivaldi to Beatles and back: Predicting lateralized brain responses to music

We aimed at predicting the temporal evolution of brain activity in naturalistic music listening conditions using a combination of neuroimaging and acoustic feature extraction. Participants were scanned using functional Magnetic Resonance Imaging (fMRI) while listening to two musical medleys, including pieces from various genres with and without lyrics. Regression models were built to predict voxel-wise brain activations which were then tested in a cross-validation setting in order to evaluate the robustness of the hence created models across stimuli. To further assess the generalizability of the models we extended the cross-validation procedure by including another dataset, which comprised continuous fMRI responses of musically trained participants to an Argentinean tango. Individual models for the two musical medleys revealed that activations in several areas in the brain belonging to the auditory, limbic, and motor regions could be predicted. Notably, activations in the medial orbitofrontal region and the anterior cingulate cortex, relevant for self-referential appraisal and aesthetic judgments, could be predicted successfully. Cross-validation across musical stimuli and participant pools helped identify a region of the right superior temporal gyrus, encompassing the planum polare and the Heschls gyrus, as the core structure that processed complex acoustic features of musical pieces from various genres, with or without lyrics. Models based on purely instrumental music were able to predict activation in the bilateral auditory cortices, parietal, somatosensory, and left hemispheric primary and supplementary motor areas. The presence of lyrics on the other hand weakened the prediction of activations in the left superior temporal gyrus. Our results suggest spontaneous emotion-related processing during naturalistic listening to music and provide supportive evidence for the hemispheric specialization for categorical sounds with realistic stimuli. We herewith introduce a powerful means to predict brain responses to music, speech, or soundscapes across a large variety of contexts.