Morgan Roussel
Max Planck Society
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Publication
Featured researches published by Morgan Roussel.
Advances in Archaeological Practice | 2016
Samantha Thi Porter; Morgan Roussel; Marie Soressi
Abstract Three-dimensional (3D) artifact modeling is becoming an increasingly utilized tool in archaeology. In comparison with other methods of 3D scanning, photogrammetry has the benefits of being relatively inexpensive, mobile, and more adaptable for use in field conditions. As part of a larger project to document variability in lithic production systems across the Middle to Upper Paleolithic Transition in Western Europe, we developed a photography rig for the express purpose of systematically capturing images for the creation of 3D photogrammetric models. This low-cost rig greatly streamlines both the photo-taking and post-processing stages of model creation. Additional tips relating to the coating of difficult-to-capture objects with a mineral spray are also provided. Three-dimensional models of lithic cores from the Châtelperronian, Protoaurignacian, and Early Aurignacian levels of the site of Les Cottés (France) are presented as examples of the quality of model that can be produced using this system.
Advances in Archaeological Practice | 2015
Samantha Thi Porter; Morgan Roussel; Marie Soressi
There are three ways to view the 3D models in this data set. All models are freely available for download in the form of 3D PDFs. These can be opened in Adobe Reader or Adobe Acrobat. We are also making OBJ versions of these models available upon request the for educational and research purposes. Some models may also be viewed online within a web browser by visiting the first authors profile on the website Sketchfab. The URL for these models is https://sketchfab.com/port0228/folders. Because Sketchfab is a third-party site, the authors cannot ensure the longevity of these version of the models. Two versions of a photogrammetric scale, which may be used during image capture to facilitate image alignment and model scaling, are also available here. If you encounter issues with photogrammetry software improperly aligning photos or not recognizing the coded targets included in version 1, we suggest trying our alternative scale, which uses non-coded markers and different reference patterns. Specific questions about the site of Les Cottes and about access to additional materials may be addressed to Marie Soressi ([email protected]).
Archaeological and Anthropological Sciences | 2018
Armando Falcucci; Marco Peresani; Morgan Roussel; Christian Normand; Marie Soressi
The Protoaurignacian is considered a cultural proxy for one of the first expansions of anatomically modern humans across Europe. The stabilization of bladelet industries that characterizes this techno-complex is therefore often used as supporting evidence for the break from previous stone knapping traditions and also for the increase of human mobility through wider territories. Despite the cultural importance that bladelets have gained, a careful inter-regional comparison, stressing similarities and differences, has not yet been attempted. Moreover, the use of traditional typologies has blurred the morpho-metrical variability that characterizes lamellar tools. Here, a study has been carried out on retouched bladelets from three pivotal sites: Fumane (northeast Italy), Isturitz (southwest France), and Les Cottés (northern France). By using morphological, dimensional, and retouching attributes, and by evaluating the statistical significance of the main differences, the first detailed analysis of the variability of retouched bladelets within the Protoaurignacian has been documented. The results indicate that the features that best discriminate the bladelet assemblages are the presence and the relative variability of bladelets with convergent retouch, although a reassessment of existing studies and new methodological approaches are required to test the latter hypothesis. Throughout this paper, we demonstrate the merits of using a unified classification of retouched bladelets for comparing behavior in between groups distant in space. We hope that this paper will be a new incentive to develop unified taxonomies for the study of Early Upper Paleolithic lithics in Western Eurasia.
STAR: Science & Technology of Archaeological Research | 2017
Frido Welker; Marie Soressi; Morgan Roussel; Isolde van Riemsdijk; Jean-Jacques Hublin; Matthew J. Collins
Abstract Peptide mass fingerprinting of bone collagen (ZooMS) has previously been proposed as a method to calculate the extent of the non-enzymatic degradation of glutamine into glutamic acid (deamidation). Temporal and spatial variation of glutamine deamidation at a single site, however, has not been investigated. Here we apply ZooMS screening of Châtelperronian and Early Holocene bone specimens from Quinçay, France, to explore temporal and spatial variation in glutamine deamidation. Our results indicate that chronological resolution is low, while spatial variation is high. Nevertheless, our analysis allows the identification of bone specimens that have undergone diagenetic histories remarkably different (either in length or in type) from spatially related bone specimens. Therefore, ZooMS ammonium-bicarbonate screening is capable of testing bone assemblage homogeneity, which could guide subsequent analysis and interpretation. GRAPHICAL ABSTRACT
Journal of Archaeological Science | 2012
Sahra Talamo; Marie Soressi; Morgan Roussel; Michael P. Richards; Jean-Jacques Hublin
Archive | 2008
Jacques Jaubert; Jean-Jacques Hublin; Shannon P. McPherron; Marie Soressi; Jean-Guillaume Bordes; Émilie Claud; David Cochard; Anne Delagnes; Jean-Baptiste Mallye; Alexandre Michel; M. Niclot; Laura Niven; Seong-Jin Park; William Rendu; Michael P. Richards; Daniel Richter; Morgan Roussel; Teresa E. Steele; Jean-Pierre Texier; C. Thieébaut
Bulletin de la Société Préhistorique Française | 2012
Morgan Roussel
Comptes Rendus Palevol | 2013
Morgan Roussel
Bulletin de la Société préhistorique française | 2009
Morgan Roussel; Laurence Bourguignon; Marie Soressi
Journal of Human Evolution | 2016
Morgan Roussel; Marie Soressi; Jean-Jacques Hublin