Nicholas Webb
University of Liverpool
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International Journal of Architectural Computing | 2010
Andre Brown; Nicholas Webb
This paper discusses how digitally-enabled techniques can be used to augment our understanding of a designers work, particularly in relation to unbuilt or lost projects. In the first half of the twentieth century Auguste Perret gained international recognition for his buildings and we employ two of his unbuilt museums as the basis for illustration of the technique. Current knowledge of his unbuilt projects is based on surviving literature and incomplete illustrations. We show that the use of digitally-enabled techniques facilitates a fuller examination of the original material. Interpretation of material requires parallel studies into the architect, their influences and the context they operated within in order to extrapolate and fill gaps in an informed way. The construction of various digital representations enables a forensic analysis of the projects; consequently we can produce a richer set of information that can, in turn, enhance our analysis and understanding of an architect and their work, in this case, Perret.
Collection of Frontiers of Architectural Research | 2016
Nicholas Webb; Andre Brown
Archive | 2011
Nicholas Webb
Archive | 2016
Nicholas Webb; Alexandrina Buchanan; John Robert Peterson
Archive | 2018
Danilo Di Mascio; Anetta Kępczyńska-Walczak; Nicholas Webb; Marc Aurel Schnabel
Archive | 2017
Alexandrina Buchanan; Nicholas Webb
Archive | 2017
Nicholas Webb; Alexandrina Buchanan
Archive | 2017
Nicholas Webb; Alexandrina Buchanan
Digital Applications in Archaeology and Cultural Heritage | 2017
Nicholas Webb; Alexandrina Buchanan
British Art Studies | 2017
Alexandrina Buchanan; Nicholas Webb