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Featured researches published by Olav Velthuis.


Consumption Markets & Culture | 2018

Local contexts as activation mechanisms of market development: contemporary art in emerging markets

Nataliya Komarova; Olav Velthuis

ABSTRACT The paper studies how local contexts contribute to the emergence of markets. In particular, it explains how potential entrepreneurs are motivated to become active in establishing new markets. Empirically, the focus is on contemporary art markets in two emerging countries: India and Russia. The paper draws upon qualitative interviews with 65 contemporary art dealers conducted in New Delhi, Mumbai, Moscow and Saint Petersburg. We show how different socio-cultural contexts function as activation mechanisms: in India, family backgrounds predominantly structure the decision-making processes, among others through the economic, social and cultural capital which these families provide. In Russia, by contrast, such family background is non-existent. Instead, the socio-economic turmoil of 1990s and 2000s as well as the strong involvement of the state function as activation mechanisms. We suggest that these different activation mechanisms contribute to explaining the diverging market performance in both countries.


Journal of Consumer Culture | 2016

Inconspicuous dressing: a critique of the construction-through-consumption paradigm in the sociology of clothing

Elise van der Laan; Olav Velthuis

Based on ‘wardrobe interviews’, this article studies how young Dutch men dress themselves. We argue that existing sociological studies of clothing have gone too far in emphasizing the symbolic aspects of clothing and have not paid sufficient attention to the role of routines and rules in daily dressing. Moreover, we find that young Dutch men dress rather inconspicuously, and are hardly interested in using clothes as a tool in ‘postmodern’ identity experiments. Insofar as clothing selection is a matter of reflexivity, it is primarily directed at conformity to meet social and situational requirements. Our respondents use clothing to construct coherent and authentic identities: their dress should express who they think they are. Convincing others of their unique identity is hardly desirable for these men. Finally, for most of them clothing is a negative act: they seek to avoid attracting attention through their dress. Our respondents are aware of the fact that their inconspicuous dress is similar to those of their companions, but this is a source of comfort rather than distress.


Journalism: Theory, Practice & Criticism | 2016

The production of a newspaper interview: Following the story at the business desk of a Dutch daily

Olav Velthuis

Based on 4 years of work experience in a newsroom, this article analyses in detail how news interviews are produced at the business desk of a Dutch daily newspaper. It focuses on the power dynamics, multiple social interactions and reciprocal exchanges which govern its production. The main case is an interview conducted with the president of the European Central Bank. Decomposing the production process in three stages (arranging an interview, conducting and publishing it), the article ‘follows the story’ from the beginning to end. In particular, it shows how the power balance between journalist and source shifts during the production process, how the outcome of the interview is governed by a range of relations other than the one between interviewer and interviewee and how conflicts over interview authorization are solved and social ties reproduced through opportunistic reciprocity between the journalist and his source.


Journal of Cultural Economy | 2018

A good hustle: the moral economy of market competition in adult webcam modeling

Niels van Doorn; Olav Velthuis

ABSTRACT In this article, we examine how models working on Chaturbate, one of the world’s most popular adult webcam platforms, negotiate and make sense of the dynamic ways in which this platform configures their competitive environment. By combining different perspectives from the field of economic sociology, we demonstrate how competition on Chaturbate is shaped by various market devices whose strategic negotiation informs – and is informed by – the moral economy articulated on web forums where models gather to discuss their work experiences and market strategies. We first introduce Chaturbate and the ways in which it organizes market competition, surveying the environment models have to negotiate. We then zoom in on two controversial strategies for beating the competition, each of which upset the moral economy of Chaturbate’s model community. Subsequently, we turn to what models term ‘the hustle,’ which encompasses a number of competitive strategies and criteria judged to be fair and thus legitimate. The final part of our analysis considers the limitations of the hustle, as well as the meritocratic and entrepreneurial discourse that surround it, in light of what we identify as Chaturbate’s ‘manufactured uncertainty.’


Archive | 2005

Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art

Olav Velthuis


European Societies | 2013

Globalization of markets for contemporary art: why local ties remain dominant in Amsterdam and Berlin

Olav Velthuis


Archive | 2015

Cosmopolitan canvases: the globalization of markets for contemporary art

Olav Velthuis; S. Baia Curioni


Oxford handbooks in business and management | 2012

The Financialization Of Art

Olav Velthuis; Erica Coslor


Archive | 2011

Damien’s Dangerous Idea

Olav Velthuis


Socio-economic Review | 2016

Making materiality matter: a sociological analysis of prices on the Dutch fiction book market, 1980-2009

Thomas Franssen; Olav Velthuis

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Erica Coslor

University of Melbourne

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