Oriol Guasch

Effects of higher order propagation modes in vocal tract like geometries

In this paper, a multimodal theory accounting for higher order acoustical propagation modes is presented as an extension to the classical plane wave theory. This theoretical development is validated against experiments on vocal tract replicas, obtained using a 3D printer and finite element simulations. Simplified vocal tract geometries of increasing complexity are used to investigate the influence of some geometrical parameters on the acoustical properties of the vocal tract. It is shown that the higher order modes can produce additional resonances and anti-resonances and can also strongly affect the radiated sound. These effects appear to be dependent on the eccentricity and the cross-sectional shape of the geometries. Finally, the comparison between the simulations and the experiments points out the importance of taking visco-thermal losses into account to increase the accuracy of the resonance bandwidths prediction.

Effects of head geometry simplifications on acoustic radiation of vowel sounds based on time-domain finite-element simulations

One of the key effects to model in voice production is that of acoustic radiation of sound waves emanating from the mouth. The use of three-dimensional numerical simulations allows to naturally account for it, as well as to consider all geometrical head details, by extending the computational domain out of the vocal tract. Despite this advantage, many approximations to the head geometry are often performed for simplicity and impedance load models are still used as well to reduce the computational cost. In this work, the impact of some of these simplifications on radiation effects is examined for vowel production in the frequency range 0-10 kHz, by means of comparison with radiation from a realistic head. As a result, recommendations are given on their validity depending on whether high frequency energy (above 5 kHz) should be taken into account or not.

Finite element computation of elliptical vocal tract impedances using the two-microphone transfer function method

A two-microphone transfer function (TMTF) method is adapted to a numerical framework to compute the radiation and input impedances of three-dimensional vocal tracts of elliptical cross-section. In its simplest version, the TMTF method only requires measuring the acoustic pressure at two points in an impedance duct and the postprocessing of the corresponding transfer function. However, some considerations are to be taken into account when using the TMTF method in the numerical context, which constitute the main objective of this paper. In particular, the importance of including absorption at the impedance duct walls to avoid lengthy numerical simulations is discussed and analytical complex axial wave numbers for elliptical ducts are derived for this purpose. It is also shown how the direct impedance of plane wave propagation can be computed beyond the TMTF maximum threshold frequency by appropriate location of the virtual microphones. Virtual microphone spacing is also discussed on the basis of the so-called singularity factor. Numerical examples include the computation of the radiation impedance of vowels /a/, /i/, and /u/ and the input impedance of vowel /a/, for simplified vocal tracts of circular and elliptical cross-sections.

Graph theory applied to noise and vibration control in statistical energy analysis models

A fundamental aspect of noise and vibration control in statistical energy analysis (SEA) models consists in first identifying and then reducing the energy flow paths between subsystems. In this work, it is proposed to make use of some results from graph theory to address both issues. On the one hand, linear and path algebras applied to adjacency matrices of SEA graphs are used to determine the existence of any order paths between subsystems, counting and labeling them, finding extremal paths, or determining the power flow contributions from groups of paths. On the other hand, a strategy is presented that makes use of graph cut algorithms to reduce the energy flow from a source subsystem to a receiver one, modifying as few internal and coupling loss factors as possible.

Two-dimensional vocal tracts with three-dimensional behavior in the numerical generation of vowels.

Two-dimensional (2D) numerical simulations of vocal tract acoustics may provide a good balance between the high quality of three-dimensional (3D) finite element approaches and the low computational cost of one-dimensional (1D) techniques. However, 2D models are usually generated by considering the 2D vocal tract as a midsagittal cut of a 3D version, i.e., using the same radius function, wall impedance, glottal flow, and radiation losses as in 3D, which leads to strong discrepancies in the resulting vocal tract transfer functions. In this work, a four step methodology is proposed to match the behavior of 2D simulations with that of 3D vocal tracts with circular cross-sections. First, the 2D vocal tract profile becomes modified to tune the formant locations. Second, the 2D wall impedance is adjusted to fit the formant bandwidths. Third, the 2D glottal flow gets scaled to recover 3D pressure levels. Fourth and last, the 2D radiation model is tuned to match the 3D model following an optimization process. The procedure is tested for vowels /a/, /i/, and /u/ and the obtained results are compared with those of a full 3D simulation, a conventional 2D approach, and a 1D chain matrix model.

Realization of an omnidirectional source of sound using parametric loudspeakers

Parametric loudspeakers are often used in beam forming applications where a high directivity is required. Withal, in this paper it is proposed to use such devices to build an omnidirectional source of sound. An initial prototype, the omnidirectional parametric loudspeaker (OPL), consisting of a sphere with hundreds of ultrasonic transducers placed on it has been constructed. The OPL emits audible sound thanks to the parametric acoustic array phenomenon, and the close proximity and the large number of transducers results in the generation of a highly omnidirectional sound field. Comparisons with conventional dodecahedron loudspeakers have been made in terms of directivity, frequency response, and in applications such as the generation of diffuse acoustic fields in reverberant chambers. The OPL prototype has performed better than the conventional loudspeaker especially for frequencies higher than 500 Hz, its main drawback being the difficulty to generate intense pressure levels at low frequencies.

Influence of vocal tract geometry simplifications on the numerical simulation of vowel sounds

For many years, the vocal tract shape has been approximated by one-dimensional (1D) area functions to study the production of voice. More recently, 3D approaches allow one to deal with the complex 3D vocal tract, although area-based 3D geometries of circular cross-section are still in use. However, little is known about the influence of performing such a simplification, and some alternatives may exist between these two extreme options. To this aim, several vocal tract geometry simplifications for vowels [ɑ], [i], and [u] are investigated in this work. Six cases are considered, consisting of realistic, elliptical, and circular cross-sections interpolated through a bent or straight midline. For frequencies below 4-5 kHz, the influence of bending and cross-sectional shape has been found weak, while above these values simplified bent vocal tracts with realistic cross-sections are necessary to correctly emulate higher-order mode propagation. To perform this study, the finite element method (FEM) has been used. FEM results have also been compared to a 3D multimodal method and to a classical 1D frequency domain model.

Directivity control and efficiency of parametric loudspeakers with horns.

This manuscript presents some recent results on directivity control and efficiency of parametric loudspeakers utilizing horns. Horns act both like an acoustic transformer and a directivity control method. An experimental device has been built and measurements have revealed that the horn has a clear influence on the audible sound levels and directivity of the parametric loudspeakers. When compared with a conventional megaphone, a much more flat frequency response is obtained and the resulting directivity is shown to be almost frequency independent.

Using a Biomechanical Model and Articulatory Data for the Numerical Production of Vowels

We introduce a framework to study speech production using a biomechanical model of the human vocal tract, ArtiSynth. Electromagnetic articulography data was used as input to an inverse tracking sim ...

Unified solver for fluid dynamics and aeroacoustics in isentropic gas flows

The high computational cost of solving numerically the fully compressible Navier–Stokes equations, together with the poor performance of most numerical formulations for compressible flow in the low Mach number regime, has led to the necessity for more affordable numerical models for Computational Aeroacoustics. For low Mach number subsonic flows with neither shocks nor thermal coupling, both flow dynamics and wave propagation can be considered isentropic. Therefore, a joint isentropic formulation for flow and aeroacoustics can be devised which avoids the need for segregating flow and acoustic scales. Under these assumptions density and pressure fluctuations are directly proportional, and a two field velocity-pressure compressible formulation can be derived as an extension of an incompressible solver. Moreover, the linear system of equations which arises from the proposed isentropic formulation is better conditioned than the homologous incompressible one due to the presence of a pressure time derivative. Similarly to other compressible formulations the prescription of boundary conditions will have to deal with the backscattering of acoustic waves. In this sense, a separated imposition of boundary conditions for flow and acoustic scales which allows the evacuation of waves through Dirichlet boundaries without using any tailored damping model will be presented.