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Publication
Featured researches published by Patrice Pavis.
Critical Arts | 1980
Patrice Pavis
This article is reprinted with permission from the French original published in Versus (No. 21, 1978). It is one of a number of papers published dealing with five specific questions posed by Marco de Marinis on the semiotics of theatre. The version which appears was translated by Tjaart Potgieter.
Archive | 1993
Patrice Pavis
There is nothing original in the observation that we can approach text and performance both from the point of view of their production and of their reception: we can study text sources, the literary context, influence on the author, the refining of the mise-en-scene in the rehearsal process,1 the material conditions of performance, and so on. Communication theory, applied somewhat mechanically to literary works, has led to the imposition of the idea that art is a one-way communication process between emitter and receiver (author/poet/dramatist, on the one hand, and reader/spectator, and so on, on the other), both of which sets of terms can be rapidly assimilated into the economist’s model of producer and consumer.2
Archive | 1992
Patrice Pavis; Loren Kruger
Archive | 1996
Patrice Pavis
Archive | 1998
Patrice Pavis; Christine Shantz; Marvin Carlson
Archive | 1998
Patrice Pavis; Anne Ubersfeld
Archive | 1987
Patrice Pavis; Anne Ubersfeld
Archive | 1990
Patrice Pavis
Archive | 1988
Patrice Pavis; Michael Issacharoff; Robin F. Jones
Theatre Research International | 2001
Patrice Pavis