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Featured researches published by Patrick Hutchings.


Sophia | 2005

The shield of pallas: The virtual contemplation of the human soul: The aesthetic of Fr. Arthur Little S.J. (1887–1949)

Patrick Hutchings

This paper explores the extreme but well-argued-for thesis that the indirect object of an aesthetic experience of serious art is the human soul of the person having the experience. The author of the thesis was Fr. Arthur Little S.J. a mid twentieth-century Irishman, professional philosopher and philosophical popularizer. The paper treats Little’s thesis seriously: comparisons are drawn with Kant, which may be of interest even to those hostile to Little’s central assertion. Little makes a brilliant analysis of a ‘free-beauty’, making the sharpest contrast between this and the most serious art, tragedy. Tragedy, Little holds Kant not able to cope with. One agrees.


Sophia | 1995

The old and the new sublimes : do they signify ? God ?

Patrick Hutchings

ConclusionIt is not the case that God is interestingly like the unavailable transcendental signified in being unavailable. God always was absconded. The signified may not even really have gone away at all. And if it has, it is not God; it is only like Him in having gone away. And it has gone away, if it has, in a different mode of ‘going away’.To use a Turneresque metaphor: God is and will always be another, far, range behind the misty-but-glittering and absconded signifieds, which leave only the trace which is the play of signifiers in the immediate foreground.One is free to attend to whichever range one wishes, or one may attend only to the foreground. But the dazzlingsublime12 of the foreground, “That change of cloud and light, never-ending and agitating itself into kaleidoscopic patterns, the play of signifiers”, is—and never could be—quite like the “sublime” of the far, far range whose Inhabitant is said to be, “From everlasting to everlasting”. His “play” is said to be not of signifiers, butof all there is; it is notsemiological butontological. And He is altogether beyond the sublime, for with Him, or with the Beatific Vision of Her,there would be no critical problem left.The Logos is not a signifier.


Sophia | 2004

‘The Catholic Church and Condoms’: His Eminence Alfonso Lopez Cardinal Trujilo appears on ‘BBC Panorama’ in 2003 and 2004

Patrick Hutchings

ConclusionThe Theological Consequence is of a more scandalous nature for Catholic ‘insiders’—the literate laity etc.etc.—than is the ‘mere’ ‘Humanist’ one. The pair together can to ‘Evangalisation’ no good at all.The Eminence, who on the BBC programme looks slightly comic. is, when one reflects a very disquieting figure indeed. So: A squib is comic: a serious one is, serious. Note the ‘BBC Panorama’ presentations have been seen in Australia, and so, possibly, in other countries in which this Journal is read.


Sophia | 2003

Natural theology: Wit, the electric shock, the aesthetic idea—and a belated acknowledgment of points made by the late MR gershon weiler

Patrick Hutchings

The paper concludes the argument that certain aesthetic objects conduce to a feeling of radical contingency, and to an openness to St Thomass Third Way proof for the existence of God. Much is conceded to the late Mr Gershon Weilers criticism of an earlier discussion. The upshot is (a) that Necessary Being as converse of radical contingency may be an Aesthetic Idea/Sublime of Kants kind, and (b) that without the ‘I AM that I am’, it is empty. The ‘inference’ from radical contingency to Necessary Being may function as George Eliot thought Wit to function, intellectually/aesthetically.


Sophia | 2012

The Tree of Life Written and Directed by Terrence Malick, Palme d’Or, Cannes 2011

Patrick Hutchings


Sophia | 2011

Hazel Rowley: Obituary

Patrick Hutchings


Sophia | 2009

Antonello da Messina: l’ opera completa

Patrick Hutchings


Sophia | 2009

‘Why Is There Something Rather Than Nothing?’ The Big Question

Patrick Hutchings


Sophia | 2006

‘Nature and Nature’s God’

Patrick Hutchings


Sophia | 2018

The Tyranny of Taxonomy Sexuality and Anomaly

Patrick Hutchings

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