Patrick Hutchings
University of Melbourne
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Sophia | 2005
Patrick Hutchings
This paper explores the extreme but well-argued-for thesis that the indirect object of an aesthetic experience of serious art is the human soul of the person having the experience. The author of the thesis was Fr. Arthur Little S.J. a mid twentieth-century Irishman, professional philosopher and philosophical popularizer. The paper treats Little’s thesis seriously: comparisons are drawn with Kant, which may be of interest even to those hostile to Little’s central assertion. Little makes a brilliant analysis of a ‘free-beauty’, making the sharpest contrast between this and the most serious art, tragedy. Tragedy, Little holds Kant not able to cope with. One agrees.
Sophia | 1995
Patrick Hutchings
ConclusionIt is not the case that God is interestingly like the unavailable transcendental signified in being unavailable. God always was absconded. The signified may not even really have gone away at all. And if it has, it is not God; it is only like Him in having gone away. And it has gone away, if it has, in a different mode of ‘going away’.To use a Turneresque metaphor: God is and will always be another, far, range behind the misty-but-glittering and absconded signifieds, which leave only the trace which is the play of signifiers in the immediate foreground.One is free to attend to whichever range one wishes, or one may attend only to the foreground. But the dazzlingsublime12 of the foreground, “That change of cloud and light, never-ending and agitating itself into kaleidoscopic patterns, the play of signifiers”, is—and never could be—quite like the “sublime” of the far, far range whose Inhabitant is said to be, “From everlasting to everlasting”. His “play” is said to be not of signifiers, butof all there is; it is notsemiological butontological. And He is altogether beyond the sublime, for with Him, or with the Beatific Vision of Her,there would be no critical problem left.The Logos is not a signifier.
Sophia | 2004
Patrick Hutchings
ConclusionThe Theological Consequence is of a more scandalous nature for Catholic ‘insiders’—the literate laity etc.etc.—than is the ‘mere’ ‘Humanist’ one. The pair together can to ‘Evangalisation’ no good at all.The Eminence, who on the BBC programme looks slightly comic. is, when one reflects a very disquieting figure indeed. So: A squib is comic: a serious one is, serious. Note the ‘BBC Panorama’ presentations have been seen in Australia, and so, possibly, in other countries in which this Journal is read.
Sophia | 2003
Patrick Hutchings
The paper concludes the argument that certain aesthetic objects conduce to a feeling of radical contingency, and to an openness to St Thomass Third Way proof for the existence of God. Much is conceded to the late Mr Gershon Weilers criticism of an earlier discussion. The upshot is (a) that Necessary Being as converse of radical contingency may be an Aesthetic Idea/Sublime of Kants kind, and (b) that without the ‘I AM that I am’, it is empty. The ‘inference’ from radical contingency to Necessary Being may function as George Eliot thought Wit to function, intellectually/aesthetically.
Sophia | 2012
Patrick Hutchings
Sophia | 2011
Patrick Hutchings
Sophia | 2009
Patrick Hutchings
Sophia | 2009
Patrick Hutchings
Sophia | 2006
Patrick Hutchings
Sophia | 2018
Patrick Hutchings