Paul Tacon

The power of stone: symbolic aspects of stone use and tool development in western Arnhem Land, Australia

For want of other secure evidence, the study of art in prehistoric societies normally amounts to looking at pictures, though there must have also been sound, and surely music. The long lithic tradition of central northern Australia permits a rare insight into another kind of prehistoric art, the meaning and aesthetic order that may lie behind a lithic industry.

Australia's Ancient Warriors: Changing Depictions of Fighting in the Rock Art of Arnhem Land, N.T.

Depictions of battle scenes, skirmishes and hand-to-hand combat are rare in hunter-gatherer art and when they do occur most often result from contact with agriculturalist or industrialized invaders. In the Arnhem Land region of the Northern Territory of Australia we have been documenting rare depictions of fighting and are able to show that there has been a long tradition of warrior art. At least three phases have been identified and in each of them groups of hunter-gatherers are shown in combat. The oldest are at least 10,000 years old, and constitute the most ancient depictions of fighting from anywhere in the world, while the newest were produced as recently as early this century. Significantly, a pronounced change in the arrangement of figures began with the second, middle phase — beginning perhaps about 6000 years ago. This appears to be associated with increased social complexity and the development of the highly complicated kinship relationships that persist in Arnhem Land today. Evidence from physical anthropological, archaeological and linguistic studies supports the idea of the early development of a highly organized society of the type more commonly associated with agriculturalists or horticulturalists.

Human remains from the Pleistocene-Holocene transition of southwest China suggest a complex evolutionary history for East Asians.

Background Later Pleistocene human evolution in East Asia remains poorly understood owing to a scarcity of well described, reliably classified and accurately dated fossils. Southwest China has been identified from genetic research as a hotspot of human diversity, containing ancient mtDNA and Y-DNA lineages, and has yielded a number of human remains thought to derive from Pleistocene deposits. We have prepared, reconstructed, described and dated a new partial skull from a consolidated sediment block collected in 1979 from the site of Longlin Cave (Guangxi Province). We also undertook new excavations at Maludong (Yunnan Province) to clarify the stratigraphy and dating of a large sample of mostly undescribed human remains from the site. Methodology/Principal Findings We undertook a detailed comparison of cranial, including a virtual endocast for the Maludong calotte, mandibular and dental remains from these two localities. Both samples probably derive from the same population, exhibiting an unusual mixture of modern human traits, characters probably plesiomorphic for later Homo, and some unusual features. We dated charcoal with AMS radiocarbon dating and speleothem with the Uranium-series technique and the results show both samples to be from the Pleistocene-Holocene transition: ∼14.3-11.5 ka. Conclusions/Significance Our analysis suggests two plausible explanations for the morphology sampled at Longlin Cave and Maludong. First, it may represent a late-surviving archaic population, perhaps paralleling the situation seen in North Africa as indicated by remains from Dar-es-Soltane and Temara, and maybe also in southern China at Zhirendong. Alternatively, East Asia may have been colonised during multiple waves during the Pleistocene, with the Longlin-Maludong morphology possibly reflecting deep population substructure in Africa prior to modern humans dispersing into Eurasia.

Cupule engravings from Jinmium–Granilpi (northern Australia) and beyond: exploration of a widespread and enigmatic class of rock markings

Antiquity last year reported a startlingly old series of dates from Jinmium in tropical north Australia. At Jinmium are old rock-engravings, the pecked cups or cupules that are widespread in Australia. This study of the Jinmium cupules goes beyond that immediate topic to broader issues.

Arnhem Land prehistory in landscape, stone and paint

Western Arnhem Land is a small area (by Australian standards) on the north coast where remarkable sequences of sediment illuminate its complex landscape history. Matching the enviromental succession is an archaeological sequence with lithic sites running back into the Pleistocene. The famous richness of the regions rock-art also documents the human presence, again over a great time-depth, and gives a direct report of how ancient Arnhem Landers depicted themselves. By ‘bridging’ between these three themes, a rare and perhaps unique synthesis can be built.

A Minimum Age for Early Depictions of Southeast Asian Praus in the Rock Art of Arnhem Land, Northern Territory

Abstract In 2008, we began two related research projects that focus on recent Australian rock art, made after the arrival of Asians and Europeans, in part of northwest Arnhem Land’s Wellington Range. This area has extensive and diverse rock art, including many examples of paintings that reflect contact between local Aboriginal people and visitors to their shores. At some sites figures made of beeswax are found superimposed under and over paintings, thus providing a means of obtaining minimum and maximum ages for pigment art. We report on the results of an initial radiocarbon beeswax dating programme at the Djulirri site complex. Results include the earliest age for a depiction of a Southeast Asian watercraft in Australian rock art, which is also Australia’s earliest contact period rock art depiction discovered so far. Based on the probability distribution of the calibrated ages, it is 99.7% probable this image dates to before AD 1664 and likely is much older. The significance of this result is discussed in relation to early contact history, as revealed by historic documents and archaeological excavation. Other important results suggest a close encounter between local Aboriginal people and Europeans occurred in the 1700s, before British exploration and settlement in the Arnhem Land region.

Rainbow colour and power among the Waanyi of Northwest Queensland

In 2002, an investigation into the rock art of Waanyi country was undertaken in conjunction with ongoing archaeological excavation. Various subjects, styles and techniques were documented, associated oral history from Waanyi elders was recorded and the relationship to archaeological deposits was assessed. A large number of rainbow-like designs, in red or red-and-yellow, were recorded, along with a magnificent and very large red-and yellow Rainbow Serpent. These and other images are discussed in relation to the travels of Ancestral Beings, stories and uses of coloured pigment and the use of local stone for both tools and the situating of important spiritual sites. Links to a network of other communities across northern and central Australia are highlighted. It is concluded that colour played a fundamental role in both expressing and maintaining relationships to places, Ancestral Beings and other groups of people. Important local differences can be seen in comparison to the ways in which colour has been used by Aboriginal people elsewhere. The research highlights ways in which the study of colour can prove valuable to archaeology globally.

Visions of Dynamic Power: Archaic Rock-paintings, Altered States of Consciousness and 'Clever Men' in Western Arnhem Land (NT), Australia

The Dynamic figures are a distinctive component in the earlier rock-art of western Arnhem Land, north Australia. They include therianthropic (hybrid human–animal) images. Recent vision experience ethnographically known in the region, and the wider pattern of Altered States of Consciousness (ASC) in hunter-gatherer societies, are consistent with elements of the Dynamics. One key feature is the use of dots and dashes in the Dynamic images, explicable as a depiction of some intangible power, of a character comparable with that in the ‘clever men’s knowledge’ of modern Arnhem Land. Tropical Australia thereby is added to the number of regions where a visionary element is identified in rock-art; the specific circumstances in Arnhem Land, permitting the use together of formal and of informed methods, provide unusually strong evidence.

Painting History: Indigenous Observations and Depictions of the 'Other' in Northwestern Arnhem Land, Australia

Abstract In this paper we focus on contact rock paintings from three sites in northwestern Arnhem Land, Australia. In doing so we highlight that such sites provide some of the only contemporary Indigenous accounts of cross-cultural encounters that took place across northern Australia through the last 500 years. Importantly, they have the potential to inform us about the ongoing relationships that existed between different parties. The lack of research on contact rock art is emphasised and the development of a large-scale project (of which this fieldwork is part) aimed at addressing this problem is outlined. Important new findings for contact rock art are presented, including evidence for ‘traditional’ protocols relating to rock art continuing long after first contact, evidence for particular contact period subject matter dominating in art of this region, and the oldest date yet recorded for contact art in Australia.

Naturalism, Nature and Questions of Style in Jinsha River Rock Art, Northwest Yunnan, China

The naturalistic rock art of Yunnan Province is poorly known outside of China despite two decades of investigation by local researchers. The authors report on the first major international study of this art, its place in antiquity and its resemblance to some of the rock art of Europe, southern Africa and elsewhere. While not arguing a direct connection between China, Europe and other widely separated places, this article suggests that rock-art studies about the nature of style, culture contact and the transmission of iconography across space and time need to take better account of the results of neuroscience research, similar economic/ecological circumstances and the probability of independent invention.