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Classical Quarterly | 1995

The speech of Pythagoras in Ovid Metamorphoses 15: Empedoclean Epos

Philip Hardie

Ovidians continue to be puzzled by the 404-line speech put into the mouth of Pythagoras in book 15 of the Metamorphoses. Questions of literary decorum and quality are insistently raised: how does the philosophers popular science consort with the predominantly mythological matter of the preceding fourteen books? Do Pythagoras revelations provide some kind of unifying ground, a ‘key’, for the endless variety of the poem? Can one take the Speech as a serious essay in philosophical didactic, or is it all a mighty spoof, as intentionally laughable, perhaps, as the imperial panegyric with which the narrative of book 15 concludes? Or should we beware of imposing modern tastes on Ovids original audience, and respect the Hellenistic and Roman predilection for scientific poetry? This article seeks to establish further contexts for the evaluation of the Speech of Pythagoras through a study of Ovids allusive practice within the Greco-Roman tradition of hexameter epos. The figure who provides a foundation for Ovids construction of his own poetic genealogy turns out to be the Greek philosophical poet Empedocles. The resulting reflections on Ovids manipulation of generic conventions may be timely in the light of the recent appearance of sophisticated and fresh approaches to the question of whether the Metamorphoses is, or is not, an epic.


Classical Review | 1998

SONGS OF INNOCENCE AND EXPERIENCE

Philip Hardie


Classical Review | 2002

EMPOWERING THE READER L. Edmunds: Intertextuality and the Reading of Roman Poetry . Pp. xx + 201. Baltimore and London: The Johns Hopkins University Press, 2001. Cased. £32.50. ISBN: 0-8018-6511-5.

Philip Hardie


Classical Review | 2000

AUGUSTINE’S VIRGIL

Philip Hardie


Classical Review | 1999

The Development of the Aeneid

Philip Hardie


Classical Review | 1996

Aeneid 3 P. V. Cova: Virgilio. Il libro terzo delľ Eneide . (Biblioteca di Aevum Antiquum, 5.) Pp. cxxxvii+167. Milan: Vita e Pensiero, 1994. Paper, L. 36,000.

Philip Hardie


Classical Review | 1994

In the Birdcage of the Muses Nicholas Horsfall: Virgilio: LΈpopea in Alambicco . (Biblioteca, Forme Materiali e Ideologie del Mondo Antico, 31.) Pp. 164. Naples: Liguori, 1991. Paper, L. 20,000.

Philip Hardie


Classical Review | 1993

The Mirror of Man Ernst A. Schmidt: Ovids poetische Menschenwelt: Die Metamorphosen als Metapher und Symphonie . (Sitzungsberichte der Heidelberger Akademie der Wissenschaften, Philosophisch–Historische Klasse, 1991–2.) Pp. 151. Heidelberg: Carl Winter, 1991. Paper, DM 64.

Philip Hardie


Classical Review | 1993

Statian and Senecan Shocks Irene Frings: Gespräch und Handlung in der Thebais des Statius . (Beiträge zur Altertumskunde, 18.) Pp. xii + 189. Stuttgart: Teubner, 1991. DM 48. Irene Frings: Odia Fratema als manieristisches Motiv: Betrachtungen zu Senecas Thyest und Statius' Thebais . (Akademie der Wissenschaften und der Literatur Mainz: Abhandlungen der Geistesund Sozialwissenschaftlichen Klasse, 1992.2.) Pp. 74. Stuttgart: Franz Steiner, 1992. Paper, DM 36.

Philip Hardie


Journal of Roman Studies | 1992

A. Schiesaro, Simulacrum et imago. Gli argomenti analogici nel de Rerum Natura (Biblioteca di Materiali e discussioni per l'analisi dei testi classici VIII). Pisa: Giardini, 1990. Pp. 174.

Philip Hardie

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