Philip Hardie
Murray Edwards College
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Classical Quarterly | 1995
Philip Hardie
Ovidians continue to be puzzled by the 404-line speech put into the mouth of Pythagoras in book 15 of the Metamorphoses. Questions of literary decorum and quality are insistently raised: how does the philosophers popular science consort with the predominantly mythological matter of the preceding fourteen books? Do Pythagoras revelations provide some kind of unifying ground, a ‘key’, for the endless variety of the poem? Can one take the Speech as a serious essay in philosophical didactic, or is it all a mighty spoof, as intentionally laughable, perhaps, as the imperial panegyric with which the narrative of book 15 concludes? Or should we beware of imposing modern tastes on Ovids original audience, and respect the Hellenistic and Roman predilection for scientific poetry? This article seeks to establish further contexts for the evaluation of the Speech of Pythagoras through a study of Ovids allusive practice within the Greco-Roman tradition of hexameter epos. The figure who provides a foundation for Ovids construction of his own poetic genealogy turns out to be the Greek philosophical poet Empedocles. The resulting reflections on Ovids manipulation of generic conventions may be timely in the light of the recent appearance of sophisticated and fresh approaches to the question of whether the Metamorphoses is, or is not, an epic.
Classical Review | 1998
Philip Hardie
Classical Review | 2002
Philip Hardie
Classical Review | 2000
Philip Hardie
Classical Review | 1999
Philip Hardie
Classical Review | 1996
Philip Hardie
Classical Review | 1994
Philip Hardie
Classical Review | 1993
Philip Hardie
Classical Review | 1993
Philip Hardie
Journal of Roman Studies | 1992
Philip Hardie