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Featured researches published by Richard Wistreich.


Edinburgh Companion to the Critical Medical Humanities | 2018

The Anatomy of the Renaissance Voice

Jennifer Richards; Richard Wistreich

n this landmark Companion, expert contributors from around the world map out the field of the critical medical humanities. This is the first volume to introduce comprehensively the ways in which interdisciplinary thinking across the humanities and social sciences might contribute to, critique and develop medical understanding of the human individually and collectively. The thirty-six newly commissioned chapters range widely within and across disciplinary fields, always alert to the intersections between medicine, as broadly defined, and critical thinking. Each chapter offers suggestions for further reading on the issues raised, and each section concludes with an Afterword, written by a leading critic, outlining future possibilities for cutting-edge work in this area. Topics covered in this volume include: the affective body, biomedicine, blindness, breath, disability, early modern medical practice, fatness, the genome, language, madness, narrative, race, systems biology, performance, the postcolonial, public health, touch, twins, voice and wonder. Together the chapters generate a body of new knowledge and make a decisive intervention into how health, medicine and clinical care might address questions of individual, subjective and embodied experience.


Arts and Humanities in Higher Education | 2016

Conservatoires in society: Institutional challenges and possibilities for change

Peter Tregear; Geir Johansen; Harald Jørgensen; John Sloboda; Helena Tulve; Richard Wistreich

Educational sociologists and philosophers have long recognised that educational institutions play a significant role in shaping as well as supporting societal norms. In the face of growing global social, political, and environmental challenges, should conservatoires be more overt in expressing a mission to sustain and improve the societies in which they are located? In times of ever-increasing scepticism emanating from governments and the broader populace alike about the efficacy of public spending, if not the public sphere itself, this essay suggests it is both timely and necessary for conservatoires to reconsider, reinvigorate and re-articulate their capacity to contribute to broader social goods. Drawing on the authors’ professional experience as well as current literature and debates, the essay is both deliberately provocative and open-ended, articulating a number of points of departure that institutions might consider in addressing the challenge of maintaining and exercising their relevance to broader society.


Archive | 2007

The Cambridge companion to Monteverdi

John Whenham; Richard Wistreich


Archive | 2007

Warrior, Courtier, Singer: Giulio Cesare Brancaccio and the Performance of Identity in the Late Renaissance

Richard Wistreich


Early Music | 2013

Singing early music: a conversation

Richard Wistreich; John Potter


Archive | 2007

Monteverdi studies and ‘new’ musicologies

Suzanne G. Cusick; John Whenham; Richard Wistreich


Archive | 2007

Monteverdi's late operas

Ellen Rosand; John Whenham; Richard Wistreich


Archive | 2000

Reconstructing Pre-Romantic Singing Technique

Richard Wistreich


The Cambridge History of Musical Performance | 2012

Vocal Performance in the seventeenth century

Richard Wistreich


Archive | 2007

Spaces for music in late Renaissance Mantua

Paola Besutti; John Whenham; Richard Wistreich

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John Whenham

University of Birmingham

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Jeffrey Kurtzman

Washington University in St. Louis

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Jane Ginsborg

Royal Northern College of Music

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John Sloboda

Guildhall School of Music and Drama

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Roger Bowers

University of Cambridge

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