Roger Howard

Michael Manheim (ed.), The Cambridge Companion to Eugene O'Neill (Cambridge: Cambridge University Press, 1998, £37.50 cloth, £13.95 paper). Pp. 256, ISBN 0 521 55389 X, 0 521 55645 7.

Geoffrey S. Proehl, Coming Home Again: American Family Drama and the Figure of the Prodigal (Madison, NJ: Farleigh Dickinson University Press, 1997, £32.50). Pp. 221. ISBN 0 8386 3547 4.

Patricia R. Schroeder, The Feminist Possibilities of Dramatic Realism (Madison: Fairleigh Dickinson University Press, 1996, £26.50). Pp. 185. ISBN 0 8386 3677 2.

Jared Brown, The Theatre in America during the Revolution (Cambridge: Cambridge University Press, 1995, £37.50, US

54.95). Pp. 229. ISBN 0 521 49537 7.

Jared Brown, The Theatre in America during the Revolution (Cambridge: Cambridge University Press, 1995, £37.50, US

54.95). Pp. 229. ISBN 0 521 49537 7. Barry B. Witham (ed.), Theatre in the United States: A Documentary History. Vol. I: 1750–1915 Theatre in the Colonies and United States (Cambridge: Cambridge University Press, 1996, £55.00, US

89.95). Pp. 339. ISBN 0521 30858 5.

Endgames 1789–1989: The walls of modern European drama and theater

Rena Fraden, Blueprints for a Black Federal Theatre 1935–1939 (Cambridge: Cambridge University Press, 1994, £37.50). Pp. 243. ISBN 0 521 44359 8.