Network


Latest external collaboration on country level. Dive into details by clicking on the dots.

Hotspot


Dive into the research topics where Ruth Adams is active.

Publication


Featured researches published by Ruth Adams.


Popular Music and Society | 2008

The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia

Ruth Adams

This article considers the Englishness of English Punk, or, more specifically, the Englishness of the Sex Pistols and the cultural productions associated with them. It will consider whether the challenge that they posed to conventional, Establishment, consensus notions of Englishness has merely been recuperated as an entertaining diversion within a broader hegemonic nationalist history or whether this challenge has had a more fundamental impact. It will argue that the Pistols facilitated a reframing and a re‐imagining of English culture and left a legacy, which has been drawn upon by a number of subsequent art and music subcultures.


Theology and Sexuality | 2004

Idol Curiosity: Andy Warhol and the Art of Secular Iconography

Ruth Adams

Abstract This article examines issues at the intersections of race, gender, sexuality and celebrity in contemporary society. Taking Andy Warhol and Marilyn Monroe as its focus, it considers the fate of the modern-day icon. In particular, it assesses the importance of whiteness and blondness in the construction of Western iconography, and the influence of Warhols Catholic faith upon his work.


Popular Music and Society | 2018

“Home Sweet Home, That’s Where I Come From, Where I Got My Knowledge of the Road and the Flow From” (Kano, “Home Sweet Home”): Grime Music as an Expression of Identity in Postcolonial London

Ruth Adams

Abstract This paper examines how grime music and the grime scene function as a vehicle for expressions of identity – individual, local, national, and transnational – for some young people growing up in the multicultural, postcolonial context of the UK capital in the twenty-first century. Grime is electronic music, often with rap-style vocals, which emerged from London around the turn of the millennium, and which offers insights into the experiences of a section of, predominantly black, working-class urban youth. The stories grime tells paint a vivid picture, not just of individual lives in particular communities, but also of the larger canvas of a global, multicultural city in perpetual transformation, and the resulting changes in cultural and socio-linguistic practices.


museum and society | 2013

The V&A, The Destruction of the Country House and the Creation of ‘English Heritage’

Ruth Adams


Manchester University Press | 2015

Theatre Plays on British Television

Ruth Adams


Archive | 2014

Who Says White Men Can’t Dance?: Deconstructing Racial Stereotypes in “Windowlicker”

Ruth Adams


museum and society | 2010

The V&A: empire to multiculturalism?

Ruth Adams


Diálogo com a Economia Criativa | 2018

Tourism, creative industries, and (youth) subcultures in the UK

Ruth Adams


Conhecimento & Diversidade | 2017

‘The Saatchi Generation’: Art & Advertising in the UK in the Late 20th Century

Ruth Adams


Archive | 2016

The Queen on the Big Screen(s) - Outdoor Screens and Public Congregations

Ruth Adams

Collaboration


Dive into the Ruth Adams's collaboration.

Researchain Logo
Decentralizing Knowledge