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Publication
Featured researches published by S James.
Contemporary Music Review | 2017
Lindsay Vickery; Louise Devenish; S James; Cat Hope
This paper discusses the percussion notation of Western Australian composers Lindsay Vickery, Stuart James and Cat Hope. Both the compositional and performative aspects of their notational conventions are considered in the diverse approaches they take to the specification of timbre, improvisation, and ensemble coordination. The design and interpretation of screen-based technologies, tablature gestural approaches and spectrographic notation is explored using Lindsay Vickery’s The Miracle of the Rose (2015) InterXection (2002) and Lyrebird (2014), Cat Hope’s Broken Approach (2014), Sub Aerial (2015), and Tone Being (2016) and Stuart James’ Kinabuhi | Kamatayon (2015) as case studies.
ICMC | 2012
Lindsay Vickery; Catherine A Hope; S James
international computer music conference | 2015
S James
Archive | 2012
Catherine A Hope; S James; Lindsay Vickery
Archive | 2011
S James; Catherine A Hope
TENOR 2017: International Conference on Technologies for Music Notation and Representation : [24- 26 May 2017, University of A Coruña, Spain], 2017, págs. 171-183 | 2017
S James; Cat Hope; Lindsay Vickery; Aaron Wyatt; Ben Carey; Xiao Fu; Georg Hajdu
Archive | 2016
Lindsay R. Vickery Dr; S James
Archive | 2016
S James
international computer music conference | 2013
S James; Catherine A Hope
Archive | 2017
S James
