Sertan Sentürk

Section-level modeling of musical audio for linking performances to scores in Turkish makam music

Section linking aims at relating structural units in the notation of a piece of music to their occurrences in a performance of the piece. In this paper, we address this task by presenting a score-informed hierarchical Hidden Markov Model (HHMM) for modeling musical audio signals on the temporal level of sections present in a composition, where the main idea is to explicitly model the long range and hierarchical structure of music signals. So far, approaches based on HHMM or similar methods were mainly developed for a note-to-note alignment, i.e. an alignment based on shorter temporal units than sections. Such approaches, however, are conceptually problematic when the performances differ substantially from the reference score due to interpretation and improvisation, a very common phenomenon, for instance, in Turkish makam music. In addition to having low computational complexity compared to note-to-note alignment and achieving a transparent and elegant model, the experimental results show that our method outperforms a previously presented approach on a Turkish makam music corpus.

Phrase-based rĀga recognition using vector space modeling

Automatic raga recognition is one of the fundamental computational tasks in Indian art music. Motivated by the way seasoned listeners identify ragas, we propose a raga recognition approach based on melodic phrases. Firstly, we extract melodic patterns from a collection of audio recordings in an unsupervised way. Next, we group similar patterns by exploiting complex networks concepts and techniques. Drawing an analogy to topic modeling in text classification, we then represent audio recordings using a vector space model. Finally, we employ a number of classification strategies to build a predictive model for raga recognition. To evaluate our approach, we compile a music collection of over 124 hours, comprising 480 recordings and 40 ragas. We obtain 70% accuracy with the full 40-raga collection, and up to 92% accuracy with its 10-raga subset. We show that phrase-based raga recognition is a successful strategy, on par with the state of the art, and sometimes outperforms it. A by-product of our approach, which arguably is as important as the task of raga recognition, is the identification of raga-phrases. These phrases can be used as a dictionary of semantically-meaningful melodic units for several computational tasks in Indian art music.

A Method for Structural Analysis of Ottoman-Turkish Makam Music Scores

Comunicacio presentada al 6th International Workshop on Folk Music Analysis, celebrat els dies 15 a 17 de juny de 2016 a Dublin, Irlanda.Comunicacio presentada al 6th International Workshop on Folk Music Analysis, celebrat els dies 15 a 17 de juny de 2016 a Dublin, Irlanda.