Silvia Iorio

The Earliest Blood Transfusions in 17th-Century in Italy (1667–1668)

Historical accounts of the earliest experiments in blood transfusion celebrate work done in France and England in 1667 to 1668. Less attention has been given to pioneering experiments conducted at the same period in Italy. We review records of the first blood transfusion experiments conducted in 17th century Italy. Using original source documents, we provide details of early experiments focusing on the identity of early researchers, their instruments, and techniques. Accounts of the period describe animal-to-animal, animal-to-human, and human-to-human transfusions. We highlight how transfusion was considered a new form of emergency surgery, carried out in order to save patients who could not be cured with traditional therapy of the time.

Radiology of Mummies

In the past, autoptic examinations were usually performed for research. This type of examination, for obvious reasons, did not appeal to paleopathologists as these procedures potentially damaged the finds destined to musealization. Since the discovery of X-ray, radiology has been used to study mummies as a noninvasive technique. The radiology of mummies allows us to discover pathologies, to elaborate on the type of ritual mummification for the artificial embalming, to comprehend the diagenetic process that guaranteed a natural mummification, or to conclude anthropological identification. We present a review on the latest studies on mummies that have shown that the radiological approach has been essential to conduct research.

Can artificially deforming skulls cause “defects of intelligence”? The observations of a positivist anthropologist on an artificially deformed skull discovered in Naples

We discuss a particular case of an artificially deformed skull discovered in Naples in 1892 and published in the Italian Journal of Natural Sciences by the anthropologist Abele De Blasio. To comprehend the observations of the researcher about the “defects of intelligence” caused by the artificial deformation of the skull, we will also analyze other articles in which De Blasio presented the deformed skulls of ancient Peruvian mummies.

The “Canone Inverso”: when tobacco was not so bad. A Look Back at the Primordial Debate on the tobacco effects in the Occupational Medicine

Aim: The article provides an overview on the beginning and evolutions of medical observations on tobacco induced diseases between Eighteenth and Nineteenth century. Methods: By searching for historical medical literature,first studies on tobacco-induced diseases focused on production risks rather than on adverse effects that the use of tobacco has for the human health. Results: The approach induced first eighteenth-century authors to define this substance as a non-pathogenic and, consequently, not to consider tobacco factories dangerous for health workers. In those years, tobacco was employed in therapy as a stimulant treatment and it was considered harmless and even healthy and preventive of several acute diseases. Conclusions: Authors will show that studies on pathogenic effects of smoking will only start around late nineteenth century, when the idea of the healthiness of tobacco industry was already supported. (www.actabiomedica.it)

An Osteological Museum inside the Varese Medical School? A proposal from the Medical, Antropological and Paleopatological point of view

Not available.

A reading of archaeological and anthropological results of the second half of the 19th Century on paleoanthropological skull in a Prehistoric cave of North West Lombardy.

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Post-mortem Photography: the Edge Where Life Meets Death?

Abstract Why would we ever take a picture of a dead person? This practice began as a way to perpetuate the image of the deceased, rendering their memory eternal – Victorians thought that it could be useful to have portraits of their dead loved ones. Certainly, subjects in post-mortem photos will be remembered forever. However, we must ask two more questions. Are they people portrayed as if they were still alive? Or on the other hand, are they bodies that represent death? Our paper takes an in-depth look at different iconographical styles as well as photographic techniques and religious and ethical reasons behind memento mori photos during the Victorian Age.