Stephanie Rains

Going in for Competitions

This article assesses the extensive ‘reader competitions’ run in popular magazines and story papers of the early twentieth century. Using examples from Irish story papers, it examines the appeal of these competitions to both the publishers and the readers. For readers, competitions offered an opportunity to display skills which combined the results of universal education with the more playful knowledge that was part of popular parlour games and other leisure activities of the time. They also offered readers an opportunity to ‘write back’ to the mass media, with indications of an extremely high level of interactivity between readers and editors, including reader suggestions for competition ideas, and disputes regarding the rules and judging of contests. The article goes on to argue that these competitions were themselves significant examples of mass media structures of the time, relying as they did on the specific forms of print culture and upon mechanisms of industrial time and communication processes.

City streets and the city edition: newsboys and newspapers in early twentieth-century Ireland

Abstract This article examines the newsboy as both an important figure of early twentieth-century Irish streets and also a vital final link in the chain of media production and distribution at the time. Despite the advent of industrial communications and manufacturing processes in print culture well before the end of the nineteenth century, newspapers in particular were ultimately dependent upon boys as young as eleven years old to sell copies, especially in urban areas. Newsboys were very visible and audible figures on Irish city streets, and presumably because of this were themselves the subject of frequent newspaper stories. This article explores the way in which newsboys were both part of the newspaper industry while simultaneously being represented in the press as exemplars of the urban working classes for middle-class readers.

Here be monsters: the Irish Industrial Exhibition of 1853 and the growth of Dublin department stores

This article explores the juxtaposition of the 1853 Irish Industrial Exhibition in Dublin and the dramatic rise of department stores in the city during the same decade. It analyses the aims, structure and reception of the 1853 Exhibition within the context of the Irish industrial movement, the economic modernity of the post-Famine era and the dramatic changes to consumer culture which were occurring during the 1850s. The article takes as its focus the hitherto neglected ‘monster house’ controversy – conducted in pamphlets and public lectures – regarding the growth of Dublins department stores. Coinciding with the 1853 Exhibition, the controversy rehearsed many of the same concerns regarding economic and social structures in Irish urban society in the wake of the Famine. Consideration of the ‘monster house’ controversy alongside the issues raised by the 1853 Exhibition allows a new perspective on the development of middle-class urban life in Dublin during the mid-nineteenth century.