Stephen E. Palmer

Hierarchical structure in perceptual representation

Abstract A theoretical framework for perceptual representation is presented which proposes that information is coded in hierarchical networks of nonverbal propositions. The hierarchical structure of the representations implies selective organization: Some subsets of a figure will be encoded as integral, structural units of that figure, while others will not. A context-sensitive metric for the “goodness” of a part within a figure is developed, corresponding to the probability that the subset will be encoded as a structural unit. Converging evidence supporting this position is presented from four different tasks using simple, straight-line figures. The tasks studied are (a) dividing figures into “natural” parts, (b) rating the “goodness” of parts within figures, (c) timed verification of parts within figures, and (d) timed mental synthesis of spatially separated parts into unitary figures. The results are discussed in terms of the proposed theory of representation, the processes that operate on those representations, and the general implications of the data for perceptual theories.

Rethinking perceptual organization: The role of uniform connectedness

A principle of perceptual organization, calleduniform connectedness (UC), is described, and a theoretical approach to perceptual organization is proposed in which this principle plays a fundamental role. The principle of UC states that closed regions of homogeneous properties—such as lightness, chromatic color, texture, and so forth—tend to be perceived initially as single units. We demonstrate its effects and show that they occur even when opposed by powerful grouping principles such as proximity and similarity. We argue that UC cannot be reduced to such grouping principles, because it is not a form of grouping at all. We then propose a theoretical framework within which UC accounts for the initial (orentry level) organization of the visual field into primitive units. Classical principles of grouping operate after UC, creating superordinate units consisting of two or more basic-level units. Parsing processes also operate after UC, dividing basic-level units into subordinate parts. UC in the retinal image is proposed to be a necessary, but not a sufficient, condition for unit formation, since connected elements on the retina that are perceived to lie in separate depth planes fail to be perceived as units. This fact, together with other evidence that the Gestalt principles of grouping are based onperceived (rather than retinal) relations, suggests that the organization of visual stimulation into UC objects is ultimately achieved within a relatively late, postconstancy representation of environmental surfaces. The implications of this possibility are discussed in light of present theories of visual perception.

A Century of Gestalt Psychology in Visual Perception I. Perceptual Grouping and Figure-Ground Organization

In 1912, Max Wertheimer published his paper on phi motion, widely recognized as the start of Gestalt psychology. Because of its continued relevance in modern psychology, this centennial anniversary is an excellent opportunity to take stock of what Gestalt psychology has offered and how it has changed since its inception. We first introduce the key findings and ideas in the Berlin school of Gestalt psychology, and then briefly sketch its development, rise, and fall. Next, we discuss its empirical and conceptual problems, and indicate how they are addressed in contemporary research on perceptual grouping and figure-ground organization. In particular, we review the principles of grouping, both classical (e.g., proximity, similarity, common fate, good continuation, closure, symmetry, parallelism) and new (e.g., synchrony, common region, element and uniform connectedness), and their role in contour integration and completion. We then review classic and new image-based principles of figure-ground organization, how it is influenced by past experience and attention, and how it relates to shape and depth perception. After an integrated review of the neural mechanisms involved in contour grouping, border ownership, and figure-ground perception, we conclude by evaluating what modern vision science has offered compared to traditional Gestalt psychology, whether we can speak of a Gestalt revival, and where the remaining limitations and challenges lie. A better integration of this research tradition with the rest of vision science requires further progress regarding the conceptual and theoretical foundations of the Gestalt approach, which is the focus of a second review article.

Common Region: A New Principle of Perceptual Grouping.

A new principle of grouping is proposed that is based on elements being located within a common region of space. Demonstrations analogous to Wertheimers original displays show that this factor strongly influences perceived grouping and is capable of overcoming the effects of other powerful grouping factors such as proximity and similarity. Grouping by common region is further shown to depend on perceived depth relations, indicating that it is influenced by processes that occur after at least some depth perception has been achieved. Further demonstrations suggest that it is dominated by the smallest background area and that it can follow a hierarchical embedding scheme. It is argued that common region cannot be reduced to the effects of proximity, closure, or any other previously known factor and therefore constitutes a genuinely new principle of grouping.

An ecological valence theory of human color preference

Color preference is an important aspect of visual experience, but little is known about why people in general like some colors more than others. Previous research suggested explanations based on biological adaptations [Hurlbert AC, Ling YL (2007) Curr Biol 17:623–625] and color-emotions [Ou L-C, Luo MR, Woodcock A, Wright A (2004) Color Res Appl 29:381–389]. In this article we articulate an ecological valence theory in which color preferences arise from people’s average affective responses to color-associated objects. An empirical test provides strong support for this theory: People like colors strongly associated with objects they like (e.g., blues with clear skies and clean water) and dislike colors strongly associated with objects they dislike (e.g., browns with feces and rotten food). Relative to alternative theories, the ecological valence theory both fits the data better (even with fewer free parameters) and provides a more plausible, comprehensive causal explanation of color preferences.

Orientation and symmetry: Effects of multiple, rotational, and near symmetries.

Time to detect bilateral symmetry in different orientations was studied for closed polygons with single, double, quadruple, rotational, and near symmetry. In Experiment 1, the orientation of the axis of symmetry was varied. Detection was fastest for vertical symmetry, next fastest for horizontal, and slowest for left- and right-diagonal symmetries. For corresponding orientations, responses were faster to quadruple than double symmetries, and faster to double than single symmetries. Negative responses to nearly symmetric figures produced an orientation effect similar to that for single symmetries. Rotational symmetries showed no orientation effect and took longer to reject than near symmetries. In Experiment 2, subjects looked only for vertical symmetry. Responses were twice as fast as in comparable conditions of Experiment 1. The effect of multiple symmetries was still present, but rotational symmetries were rejected faster than near symmetries. The results are interpreted as supporting a dual process model for detecting symmetry in multiple orientation channels: Observers first select potential axes of symmetry defined by mirror-similar parts and then evaluate specific axes sequentially in a detailed comparison for mirror-identity.

Visual aesthetics and human preference.

Human aesthetic preference in the visual domain is reviewed from definitional, methodological, empirical, and theoretical perspectives. Aesthetic science is distinguished from the perception of art and from philosophical treatments of aesthetics. The strengths and weaknesses of important behavioral techniques are presented and discussed, including two-alternative forced-choice, rank order, subjective rating, production/adjustment, indirect, and other tasks. Major findings are reviewed about preferences for colors (single colors, color combinations, and color harmony), spatial structure (low-level spatial properties, shape properties, and spatial composition within a frame), and individual differences in both color and spatial structure. Major theoretical accounts of aesthetic response are outlined and evaluated, including explanations in terms of mere exposure effects, arousal dynamics, categorical prototypes, ecological factors, perceptual and conceptual fluency, and the interaction of multiple components. The results of the review support the conclusion that aesthetic response can be studied rigorously and meaningfully within the framework of scientific psychology.

The psychology of perceptual organization : a transformational approach

Abstract Psychological research on perceptual organization is reviewed, and a theoretical framework is presented to account for it. The review focusses on the organizational phenomena of shape constancy, motion perception, figural goodness, perceptual grouping, and reference frame effects. It is argued that the key to understanding them within a unified framework lies in the concept of local invariance over the group of Euclidean similarity transformations. The theory offered to account for these phenomena is based on a parallel processing system constructed from many spatial analyzers that are related to each other by similarity transformations. They are compared for output equivalence by invariance analyzers and structured more globally by frame analyzers. The latter are used to select the maximally informative (i.e., simplest) organization of sensory data for further processing and shape description.

What makes triangles point: Local and global effects in configurations of ambiguous triangles

Abstract Perceived pointing of ambiguous triangles was investigated in three experiments. The results show that the probability of seeing an equilateral triangle point in a given direction is strongly influenced by (a) the direction of the ambiguous alternatives, (b) the orientational characteristics of the configuration of elements surrounding the triangle, and (c) the shape of the surrounding elements. These findings are interpreted as supporting the hypothesis that perceived pointing is determined by perceptual reference frames induced at multiple levels of globality: one for the general visual field, one for the entire configuration, and one for the local elements of the configuration.

Local and Global Processes in Visual Completion

In the natural environment, objects are frequently occluded, and people continuously complete partly occluded objects Do local processes or global processes control the completion of partly occluded objects? To answer this question, most previous studies simply asked subjects to draw the completions they “saw” Such drawing tasks are highly subjective, and they provide equivocal results Our studies are the first to use an objective, implicit paradigm (primed matching) to determine the extent to which local or global processes underlie the visual completion of partly occluded objects Our results suggest that global processes dominate perceptual completion, whereas local processes do not play a large role Therefore, local theories of completion, or theories in which local processes dominate, cannot be entirely correct