Subha Mukherji

Early modern tragicomedy

Tragicomedy is one of the most important dramatic genres in Renaissance literature, and the essays collected here offer stimulating new perspectives and insights, as well as providing broad introductions to arguably lesser-known European texts. Alongside the chapters on Classical, Italian, Spanish, and French material, there are striking and fresh approaches to Shakespeare and his contemporaries - to the origins of mixed genre in English, to the development of Shakespearean and Fletcherian drama, to periodization in Shakespeares career, to the language of tragicomedy, and to the theological structure of genre. The collection concludes with two essays on Irish theatre and its interactions with the London stage, and further evidence of the persistent and changing energy of tragicomedy in the period. Contributors include: Sarah Dewar-Watson, Matthew Treherne, Robert Henke, Geraint Evans, Nicholas Hammond, Ros King, Suzanne Gossett, Gordan Mcmullan, Michael Winmore, Jonathan Hope, Michael Neill, Lucy Munro, and, Deana Rankin.

Thinking on Thresholds: The Poetics of Transitive Spaces

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Crossroads of Knowledge: Literature and Theology

This chapter reflects on the ways in which imaginative literature probes, troubles, and illuminates the relation between knowledge and faith through aesthetic mediation in post-Reformation England. In the process, it at once puts pressure on the category of the ‘literary’ and tunes us into the wider cultural meanings of ‘faith’, showing how an alternative episteme is forged in the synergies between religious belief and literary art. It posits, and offers for critical thinking, a poetics of faith at the intersection of form, feeling, and doctrine, one that turns apparent challenges of religious cognition into imaginatively, ethically, and emotionally productive resources. The chapter places this approach methodologically in the context of The Crossroads of Knowledge project out of which this volume emerges. Finally, it indicates how the individual chapters in this book speak to each other and weave a hermeneutic discourse that brings to life the experiential dimension of knowledge in the devotional domain, and traces the imaginative texture of faith and its ways of knowing, unknowing, and half-knowing.