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Featured researches published by Susan Bassnett.
New Theatre Quarterly | 1989
Susan Bassnett
Theatre scholarship is only just beginning to respond to the insights and emphases suggested by feminist criticism. In this introductory article to what we intend to be a strong and continuing thread in NTQ, Susan Bassnett outlines the resulting problems, and explores the historical context and conditions in terms of one central issue – the role of women as performers (and non-performers) in the sixteenth and seventeenth centuries. She also examines some of the wider implications for theatre studies, affected as these also are by new historicist approaches to the study of cultural change. Susan Bassnett teaches in the Graduate School of Comparative Literary Theory in the University of Warwick, and has been a regular contributor to New Theatre Quarterly and other journals, notably in the field of Italian theatre. Her most recent books include a feminist study of Elizabeth I, and (in collaboration with John Stokes and Michael Booth) Bernhardt. Terry, Duse: the Actress in Her Time .
New Theatre Quarterly | 1985
Susan Bassnett
New Theatre Quarterly | 1987
Susan Bassnett
New Theatre Quarterly | 2012
Susan Bassnett
New Theatre Quarterly | 1991
Susan Bassnett
New Theatre Quarterly | 1989
Susan Bassnett
New Theatre Quarterly | 1989
Susan Bassnett
New Theatre Quarterly | 1989
Susan Bassnett
New Theatre Quarterly | 1987
Susan Bassnett
New Theatre Quarterly | 1987
Susan Bassnett