Tadao Miyamoto

The Japanese mental lexicon : psycholinguistic studies of kana and kanji processing

This book surveys the psycholinguistic dimensions of lexical access to the mental lexicon in Japanese, and attempts to synthesize the diversity of Japanese psycholinguistic research into the nature of written word processing in Japanese. Ten chapters focus on the nature of such psycholinguistic inquiry and its history, the structural origins of the Japanese script types and their relative frequencies, lexical access studies in kanji, the hiragana and katakana syllabaries, romaji, and mixed text processing, laterality preferences in kana/kanji processing and their implications for scientific discussions of language and cognition, evidence from eye-movement studies, the acquisition of orthographic skills by Japanese children, and a review of the implications and conclusions that arise from the contributions of such research. The text is directed at filling the need for an overview of this research because of its importance to theoretical modelling in linguistics and psychology, as well as aphasiology, mathematical and statistical linguistics, educational practices and governmental intervention in respect to language policies, and studies of linguistic and cultural history.

The Indigenization of Pali Meters in Thai Poetry

During the Ayutthaya period in Thailand (1350-1767), a group of meters based upon specific types and arrangements of syllables became a significant part of the Thai literary corpus. Known as chan in Thai literature, these meters, and the stanzas created from them, were adapted and transformed so that they corresponded in structure to other Thai verse forms. Although still used in compositions today, these meters reached their greatest popularity during the mid and late Ayutthaya period and the late nineteenth to early twentieth centuries. This study of the Thai chan meters contends that Thai linguistic constraints and poetic principles determined the transformation of the Pali meters and stanzas into their Thai counterparts. Disproving the frequent claims that the old chan compositions ignored the sequencing of the particular syllable types required by the meters, the author determines why the meters became popular only during certain eras and just what the aesthetic conditions were that nurtured the use of the meters.