Tetsuo Okamoto
Yamaha Corporation
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Featured researches published by Tetsuo Okamoto.
Journal of the Acoustical Society of America | 1996
Tetsuo Okamoto; Naota Katada
An electronic musical instrument has a plurality of detectors, a plurality of converters and a selector. The plurality of detectors, which are arranged, respectively, at predetermined joints of a human body or in the vicinity thereof, detect angles formed by respective ones of the predetermined joints, and generate a plurality of angle data indicative of the respective detected angles. The plurality of converters have different input/output characteristics and thereby convert the plurality of angle data into respective single frequency data each indicative of a frequency of a musical tone. The selector selects desired one from among the plurality of converters.
Journal of the Acoustical Society of America | 1996
Tetsuo Okamoto; Eiichiro Aoki; Satoshi Usa
In order to simulate sounds of an acoustic musical instrument such as a bowed stringed instrument, an electronic musical instrument employs a musical tone control apparatus which at least contains an operating device and a detecting circuit. Herein, when operating the operating device which can be operated in a two-dimensional area, the detecting circuit detects operation information corresponding to an operating position or an operating displacement of the operating device. Then, velocity information is generated based on the operation information. Thereafter, a musical tone is generated in response to a musical characteristic corresponding to the velocity information under a condition where the operating device is now operating. Preferably, the operating device is configured by a digitizer on which surface an electronic pen is moved two-dimensionally by the performer. Thus, it is possible to impart the varied performance expression to the musical tone to be generated.
Journal of the Acoustical Society of America | 1995
Tetsuo Okamoto; Satoshi Usa
Disclosed is an electronic musical instrument which comprises: manipulator for defining a manipulation region of at least one dimension and for achieving performance manipulation within the manipulation region; position detector for detecting the position of performance manipulation within the manipulation region; arithmetic operation unit for calculating information pertaining to the direction and velocity of movement from the time change of the position of performance manipulation; tone signal generator for generating a tone signal using the information pertaining to the direction and velocity information as a parameter of controlling the tone signal; and latch unit for latching information pertaining to at least one of the direction and velocity of the movement, wherein the tone signal generator generates a tone signal using said information latched by the latch unit when the latch unit is operated. Whereby, information pertaining to the manipulation of the performance manipulator against players will can be neglected by the players will and a continuous tone can be generated as desired.
Journal of the Acoustical Society of America | 1994
Tetsuo Okamoto; Satoshi Usa
An electronic musical instrument has an electronic sound source of a physical model simulating the sound mechanism of an acoustic mechanical instrument, in particular, a stringed instrument of the bowing type. The electronic sound source is controlled according to tone pitch information and tone information determining a characteristic of a musical tone to be generated. A keyboard is provided as a data input device by which tone pitch is designated and on which a performance manner is expressed via initial touch and after touch. A memory stores two sets of performance information, each set containing bowing force and bowing velocity information. An interpolating unit operates to access the memory for carrying out interpolation between the two sets of performance information according to the performance manner, and produces respective interpolated performance information regarding bowing force and bowing velocity information effective to control the artificial sound source. The electronic sound source is also controlled by the interpolated performance information.
Journal of the Acoustical Society of America | 1995
Tetsuo Okamoto; Satoshi Usa; Itsuro Kubota
The electronic musical instrument, which is suitable for generating sustaining tone of a rubbed string instrument, has a manipulator for achieving performance manipulation in a linear manipulation region or in a plane manipulation region to simulate the motion of a bow of the rubbed string instrument, and a processing circuit for applying smoothing treatment to signals given by the manipulator. The musical tone generated by the electronic musical instrument can be prevented from being contaminated with discordant sound caused by noise produced in performance manipulation.
Archive | 1990
Satoshi Usa; Tetsuo Okamoto; Eiichiro Aoki
Archive | 2013
Takashi Ikeda; Tetsuo Okamoto; Tsutomu Yanase
Archive | 1990
Tetsuo Okamoto; Eiichiro Aoki; Satoshi Usa
Archive | 2005
Tetsuo Okamoto
Archive | 2008
Tetsuo Okamoto; Takeshi Komano