Thomas Ærvold Bjerre
University of Southern Denmark
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Journal of War and Culture Studies | 2011
Thomas Ærvold Bjerre
Abstract This article examines some of the important changes in the films (and TV series) about the Iraq War. Focus will be on the combat films: Brian De Palmas Redacted (2007), Nick Broomfields Battle for Haditha (2007), HBOs mini-series Generation Kill (Simon 2008), Kathryn Bigelows The Hurt Locker (2008) and Paul Greengrasss Green Zone (2010). The films break from tradition by dismissing both the mythic heroism that pervades World War II films and the disillusionment of many Vietnam War films. A shared trait in the films and TV series is a striving for authenticity and a tendency associated with this: the depiction of American soldiers as war junkies. What has become of the noble intentions, the ideas of freedom and democracy, once linked with the US military? Without judging, the films depict the new generation of American soldiers, raised in a historical vacuum, as young men who see war as just another extreme sport.
Mississippi Quarterly | 2007
Thomas Ærvold Bjerre
Orbis Litterarum | 2012
Thomas Ærvold Bjerre
University Press of Mississippi | 2006
Thomas Ærvold Bjerre
Mississippi Quarterly | 2001
Thomas Ærvold Bjerre
publisher | None
author
University of South Carolina Press | 2018
Thomas Ærvold Bjerre
Archive | 2018
Thomas Ærvold Bjerre
GymPæd 2.0 | 2018
Thomas Ærvold Bjerre
Fyens Stiftstidende | 2018
Thomas Ærvold Bjerre