Tina Askanius

Online social media for radical politics: climate change activism on YouTube

In December 2009, political attention was turned towards the 15th UN Climate Conference, COP15. For the Global Justice Movement (GJM) this provided an opportunity to promote their agenda. The use of online media conjured up memories of the success of alternative media in mobilising large-scale protests around previous WTO and G8 counter-summits. However, the COP15 saw a turn to the use of what can be termed mainstream – online sites among activists. Drawing on a case study of the activist network NTAC, we explore how YouTube served both the purpose of reaching broader publics and of mobilising for confrontational direct action within activist circles.

Protest movements and spectalcles of death

Much scholarship has looked at how radical politics and its symbolism are framed and distorted by the mass media, while less attention has been devoted to how the symbolic imagery of violence and death is used in activists’ self-representations. This chapter provides one such alternative angle by probing how “visual protest materials” are creatively used in activists’ own videos to pass on stories of communion and contestation.It interrogates how activist video practices mirror the continuum between physical places and mediated spaces in political activism by analyzing a thread of videos circulating on YouTube that commemorate people who have died in connection with three protest events across Europe, putting on display the “spectacles of death” punctuating each of these events. The analysis draws on social semiotics, in particular the work of Barthes (1981) and Zelizer (2010), to examine how death is used as a visual trope to signify the ultimate prize of taking to the streets. This chapter suggests how agency and meaning travel back and forth between offline and online spaces of activism. Engaging with some implications of this interplay, the chapter argues that, in the quest to document truth and induce realism and immediacy, tensions between fact and fiction emerge in the creative appropriation and remixing of images. Finally, it demonstrates how the cityscape is recruited to document and dramatize the spectacle of death as part of a larger struggle for semiotic resources within the protest space and over media representations of social movements more generally.

Extreme-right responses to the European economic crisis in Denmark and Sweden : the discursive construction of scape-goats and lodestars

This article examines extreme-right online media as a site of discursive struggle over definitions of the causes, consequences and remedies of the European economic crisis. The authors focus on two Scandinavian countries, Denmark and Sweden, which have seen a rise in extreme-right activities across different arenas and in different media in the turbulent years since the collapse of global financial markets in 2008. Drawing on a discourse-theoretical framework that builds on the work of Laclau and Mouffe, the paper examines how the currently most active and visible extreme-right groups in these two countries understand and respond to the crisis as an opportunity to fuel anti-immigration discourses and prey on sentiments of instability and insecurity in the broader population, using online media to “involve members and supporters in the discursive construction of racism”. The analysis demonstrates how these groups look to Greece, as the “crisis epicentre”, for culturalist explanations for the Eurozone crisis and to the rise there of Golden Dawn as an inspiration for future mobilisations in Nordic and pan-European coalitions.

DIY Dying: Video Activism as Archive, Commemoration and Evidence

Abstract in Undetermined This article examines video activism in a context where ubiquitous camera technologies and online video sharing platforms are radically changing the media landscape in which demonstrations and political activism operates. The author discusses a number of YouTube videos documenting and narrating the recurring, anti-capitalist demonstrations in Europe in the past decade. With the death of Ian Tomlinson in London during the 2009 G20 protests as an empirical starting point, the author raises questions of how video documentation of this event links up with previous protest events by juxtaposing representations of ‘the moment of death’ (Zelizer, 2004, 2010) of protesters in the past. In a three-legged typology of the modes of appropriation of these commemoration videos, this article suggests that these videos work as (1) an archive of action and activist memory, (2) a site of commemoration in a online shrine for grieving, and (3) a space to provide and negotiate visual evidence of police violence and state repression. The author offers a re-articulation of the longstanding debate on visual evidence, action, and testimony in video activism. The results are suggestive of how vernacular commemorative genres of mourning and paying tribute to victims of police violence are fused with the online practices of bearing witness and producing visual evidence in new creative modes of using video for change. (Less)

Live Reality Television : Care structures within the production and reception of talent shows

This article focuses on production and reception practices for live reality television using critical theory and empirical research to question how producers and audiences co-create and limit live experiences. The concept of care structures is used to make visible hidden labour in the creation of mood, in particular audiences as participants in the management of live experiences. In the case of Got to Dance, there was a play off between the value and meaning of the live events as a temporary experience captured by ratings and social media, and the more enduring collective-social experience of this reality series over time.