Tracy Fessenden

From Romanism to Race: Anglo-American Liberties in Uncle Tom's Cabin

Simon Legrees taunting invitation to “join [his] church” reminds us that the novel routinely credited with abolishing slavery relied for part of its force on anxieties surrounding religious conversion. Although conversion as the emotional surrender to faith under one or another form of Protestantism remained the norm when Harriet Beecher Stowe was writing Uncle Toms Cabin, as many as 700,000 Americans did join the Roman Catholic Church as converts in the 19th century. The middle third of the century also saw the arrival of nearly 3 million Catholic immigrants, whose perceived intemperance, sexual license, and conspiratorial designs on American institutions animated white Protestant preaching and political action more consistently than did the evils of slavery or racism.

The objects of American religious studies

Disciplinary retrospectives on American religious studies have come over the last several decades to center on a single turning point, a decisive and expansive reformation of the object of scholars’ attentions. In a nutshell, somewhere between the 1970s and 1980s a vanguard among us began at last to leave off writing about white, northeastern, Protestant men and to write instead about everybody: more religions, more relations to religion, more of what counts as religion in the first place. Even as it lies at the animating heart of our disciplinary self-appraisals, however, this narrative turn from Protestantism to pluralism in American religious studies seems itself peculiarly resistant to analysis. This essay proposes that we revisit the dialectic between ‘oneness’ and ‘manyness’ in American religious history and historiography. In particular, it urges that we bring scrutiny to bear on the ways that our newer narratives of religious pluralism in America come to be spliced within a more longstanding and resilient metanarrative rooted in American Protestantism.