W.S. Brown

Speaking fundamental frequency characteristics as a function of age and professional singing

Summary The purposes of this project were to discover (1) if the speaking fundamental frequency (SFF) levels of professional singers differ significantly from those of nonsingers and (2) if the age-related SFF patterns are similar for these two classes of individuals. Sixty professional singers and 94 nonsingers were recorded reading the first paragraph of the “Rainbow Passage;” both males and females were included. Three paired groups (young, middle, and old age) were studied; they were selected on the basis of health and age. The professional singer groups were further divided by a binary voice classification system, specifically that of soprano/alto for women and tenor/baritone for men. It was found that the sopranos and tenors exhibited significantly higher SFF levels then did the age-matched nonsingers, whereas the altos and baritones did not differ significantly from the controls. Relationships within the performer groups were mixed. For example, there appeared to be a systemic trend for the sopranos and tenors to exhibit higher SFF levels than the altos and baritones. Finally, although the nonsinger SFF levels varied significantly as a function of age, those for the professional singers did not.

Age-Related Voice Measures Among Adult Women

During the twentieth century there has been a substantial increase in the number of older people living in the United States (1). This increase has stimulated a greater interest in the study of the aging process. Experts in human communication are among those who have focused more attention on the elderly voice (2). The concern for the effects that aging may have on verbal communication is undeniably an important one. Although relatively little data are available which relate loss of communicative skills to the aging process, there are considerable reports in the geriatric literature that substantiate certain physiological changes that could disrupt the normal process of speech and voice production. The most commonly reported, and apparently the most potentially serious, are reductions in vital capacity (3-6), osteoporosis of the boney framework of the ribs and spinal column (7), ossification of the laryngeal cartilages (8,9), and atrophy as well as other age-related changes in respiratory, laryngeal, and facial musculature and mucosa (8,10-13). Any one, or a combination, of these changes associated with aging could be detrimental to speech and voice, and ultimately could reduce the communicative effectiveness of the elderly speaker. Given the aforementioned age-related differences, the parameters of speech and voice that would appear to be most affected are speech timing and vocal power. For speech timing, age-related effects may be present due to reductions in rates of neurotransmission, muscle strength, and mucosal elasticity which ultimately could have a negative effect on the speed of speech mechanism activity. Alterations in speech timing could have a major impact on the integrity of the signal produced, since

The perception of speech sounds recorded within the uterus of a pregnant sheep

The intelligibility of speech stimuli recorded within the uterus of a pregnant sheep was determined perceptually using a group of untrained judges. The intrauterine sound environment of the ewe was intended to simulate that of a pregnant woman. Two separate lists, one of meaningful and one of nonmeaningful speech stimuli, were delivered through a loudspeaker to the side of the ewe and were simultaneously recorded with an air microphone located 15 cm from the flank and with a hydrophone previously sutured to the neck of the fetus. Perceptual test tapes generated from these recordings were played to 102 judges. The intelligibility of the phonemes recorded in the air was significantly greater than the intelligibility of phonemes recorded from the uterus. A male talkers voice was more intelligible than a female talkers voice when recorded from within the uterus, but not so when recorded in the air. An analysis of the feature information transmission from recordings inside and outside the uterus revealed that voicing information is better transmitted in utero than place or manner information.

Singer's Formant in Sopranos: Fact or Fiction?

Although it is generally agreed that the singers formant (F(S)) is a prerequisite for successful stage performance, the results of this research do not support its presence in the soprano voices of trained female singers. Results are based on a recent investigation testing 10 advanced/professional sopranos in two groups singing sustained vowels at three frequencies: high (932 Hz), mid (622 Hz), and low (261 Hz). Spectrographic analysis shows that the nature of harmonic energy varies in relation to pitch. A resonance band somewhat resembling the tenor F(S) was usually evident in vowels sung at low and mid pitch. However, unlike the F(S) of typically less than 1 kHz bandwidth associated with tenors, sopranos singing similar pitches produced corresponding bandwidths which were significantly broader, usually at least 2-kHz wide. Vowels sung by sopranos at high-pitch levels exhibited strong fundamental frequency production with strong reinforcement of adjacent harmonics extending to 5 kHz and beyond. This type of production in essence nullifies the necessity for a typical F(S). Absence of the F(S) in strong soprano voices might also imply the adaptation of a sufficiently different overall vocal tract configuration, so that techniques geared to developing maximal projection should not be the same as those developed to maximize the F(S) in other voices.

Patterns of fundamental frequency for three types of voice samples

The purpose of this study was to determine the variability in speaking fundamental frequency (Fo) associated with sample type in two age groups of normal male and female speakers and a group with vocal-fold paralysis. Young and elderly normal control men and women produced a sustained vowel, read a passage, and spoke extemporaneously in the morning, early afternoon, and late afternoon on three different days. The vocal-fold-paralysis group produced two voice samples at different times on the same day. Two patterns of variability emerged in the normal groups. Young men produced sustained phonation at a significantly lower Fo than their reading or extemporaneous samples. Young and older women and older men produced sustained phonation with a higher Fo than their reading or extemporaneous samples. The eight subjects with unilateral vocal-fold paralysis (seven women, one man) produced samples with a pattern similar to that of the older normal groups but with greater differences between the sustained vowel and speech samples. The use of different sample types resulted in variations in mean speaking Fo in the normal subjects as well as in the vocal-fold-paralysis group. Within-day sampling of all normal subjects resulted in approximately the same variability as across-day sampling. In the vocal-fold-paralysis group, within-day sampling resulted in greater variability of mean Fo for vowels than for connected speech, following a pattern similar to the older normal control subjects and various speech materials for voice.(ABSTRACT TRUNCATED AT 250 WORDS)

Variations in adductor spasmodic dysphonia:Acoustic evidence

Acoustic analysis was used to gain information about the normal, as well as the abnormal acoustic events associated with adductor spasmodic dysphonia (ADSD). This analysis was completed to determine whether specific acoustic events could be used to differentiate the voice of individuals with ADSD from those with normal voice. A group comparison between 14 women diagnosed with ADSD and 14 women (age-matched) with no evidence of vocal pathology or vocal dysfunction was completed. Phonatory breaks, aperiodicity, and frequency shifts, acoustic parameters previously identified in ADSD, were found throughout sustained vowel productions. The duration of the phonatory breaks and aperiodic segments was calculated and the amount of frequency shift was determined. The location of each acoustic event was marked relative to the onset of the vowel production. The subjects with ADSD presented with normal phonation and various amounts of each of the three acoustic parameters. Aperiodic segments primarily characterized the phonation of ADSD, followed by frequency shifts and phonatory breaks. The location of each of these acoustic events was within the midportion of the vowel production. The advantages of segmenting the acoustic waveform into these measures and separating the spasmodic events from normal phonation when examining laryngeal motor control of spasmodic dysphonics is discussed.

Aerodynamic and acoustic study of stress in sentence productions

Two aerodynamic and three acoustic measures were related to stressed versus unstressed words of American English. Six speakers were required to repeat sentences while systematically varying stress. A group of listeners verified the place of stress intended by the speakers. Intraoral air pressure, air flow, vocal intensity, fundamental frequency, and duration were measured. Of these parameters, fundamental frequency was most significantly related to stress variations, suggesting that stress may be a laryngeal function. Moreover, a trading relationship between frequency and duration for terminal stressed words was noted.

Speech breathing during reading in women withvocal nodules

This study examined speech breathing patterns during reading by women with bilateral vocal fold nodules judged as mildly dysphonic and by women without vocal nodules. Although it might be predictable that the speech breathing patterns of individuals with laryngeal dysfunction will differ from those without laryngeal dysfunction, there is a lack of empirical data to support such assumptions. The results of the current study indicated that glottal airflow was greater during reading for the women with vocal nodules and that a larger volume of air was expended both per syllable and per breath group during reading. The rate of speech did not significantly differ between the two groups of women. There was no significant difference for the average duration of the breath groups and no significant difference for the number of syllables spoken per breath group. Additionally, both groups of women demonstrated a similar pattern of inspiratory pause location during the reading. The results suggest that speech breathing patterns associated with dysphonia be examined independently to distinguish specifically the nature of the interaction between the laryngeal dysfunction and the speech breathing pattern. Certainly, more information on how the severity of a voice disorder influences speech breathing is necessary.

Comparison of various automatic means for measuring mean fundamental frequency

The purpose of this paper was to evaluate the reliability of, and agreement among, six speech analysis systems in the determination of fundamental frequency. Five male and five female speakers provided oral reading and sustained vowel samples for analysis. Each sample was analyzed five times by each system. The results indicated high reliability for all of the systems for both sexes and both utterance types. Agreement among the systems was high for the male sustained vowels and the female oral reading samples. In contrast, poor agreement occurred among the systems for the male oral reading samples and the female sustained vowels. The findings indicate that the output of these automatic methods tends to be consistent over repeated trials within the systems in their extraction of fundamental frequency; however, agreement among these systems varies.

Physiological differences between the trained and untrained speaking and singing voice

Summary This study concerns the premier singing voice and its relationship to physiological aptitude. Research literature is reviewed that indicates that during singing the trained singer uses different physiological strategies in comparison with the untrained singer, and that the noted physiological differences (respiratory, laryngeal, articulatory) occur during singing only and not during speech. Further, a study was conducted that compared the ability of trained singers versus untrained individuals to (a) discriminate differences in self-generated air pressures and (b) produce and maintain a constant level of air pressure. No significant differences were found between the trained and untrained groups in their ability to discriminate and/or control breath pressure. Combined results of previous studies and present findings lead to the tentative conclusion that the excelled singer is not physiologically endowed and/or “gifted,” but rather has benefited from technical voice training