Yann N. Dauphin

Combining modality specific deep neural networks for emotion recognition in video

In this paper we present the techniques used for the University of Montréals team submissions to the 2013 Emotion Recognition in the Wild Challenge. The challenge is to classify the emotions expressed by the primary human subject in short video clips extracted from feature length movies. This involves the analysis of video clips of acted scenes lasting approximately one-two seconds, including the audio track which may contain human voices as well as background music. Our approach combines multiple deep neural networks for different data modalities, including: (1) a deep convolutional neural network for the analysis of facial expressions within video frames; (2) a deep belief net to capture audio information; (3) a deep autoencoder to model the spatio-temporal information produced by the human actions depicted within the entire scene; and (4) a shallow network architecture focused on extracted features of the mouth of the primary human subject in the scene. We discuss each of these techniques, their performance characteristics and different strategies to aggregate their predictions. Our best single model was a convolutional neural network trained to predict emotions from static frames using two large data sets, the Toronto Face Database and our own set of faces images harvested from Google image search, followed by a per frame aggregation strategy that used the challenge training data. This yielded a test set accuracy of 35.58%. Using our best strategy for aggregating our top performing models into a single predictor we were able to produce an accuracy of 41.03% on the challenge test set. These compare favorably to the challenge baseline test set accuracy of 27.56%.

Higher order contractive auto-encoder

We propose a novel regularizer when training an autoencoder for unsupervised feature extraction. We explicitly encourage the latent representation to contract the input space by regularizing the norm of the Jacobian (analytically) and the Hessian (stochastically) of the encoders output with respect to its input, at the training points. While the penalty on the Jacobians norm ensures robustness to tiny corruption of samples in the input space, constraining the norm of the Hessian extends this robustness when moving further away from the sample. From a manifold learning perspective, balancing this regularization with the auto-encoders reconstruction objective yields a representation that varies most when moving along the data manifold in input space, and is most insensitive in directions orthogonal to the manifold. The second order regularization, using the Hessian, penalizes curvature, and thus favors smooth manifold. We show that our proposed technique, while remaining computationally efficient, yields representations that are significantly better suited for initializing deep architectures than previously proposed approaches, beating state-of-the-art performance on a number of datasets.

Using recurrent neural networks for slot filling in spoken language understanding

Semantic slot filling is one of the most challenging problems in spoken language understanding (SLU). In this paper, we propose to use recurrent neural networks (RNNs) for this task, and present several novel architectures designed to efficiently model past and future temporal dependencies. Specifically, we implemented and compared several important RNN architectures, including Elman, Jordan, and hybrid variants. To facilitate reproducibility, we implemented these networks with the publicly available Theano neural network toolkit and completed experiments on the well-known airline travel information system (ATIS) benchmark. In addition, we compared the approaches on two custom SLU data sets from the entertainment and movies domains. Our results show that the RNN-based models outperform the conditional random field (CRF) baseline by 2% in absolute error reduction on the ATIS benchmark. We improve the state-of-the-art by 0.5% in the Entertainment domain, and 6.7% for the movies domain.