Adolfo Estalella

Assembling Neighbors: The City as Hardware, Method, and "a Very Messy Kind of Archive"

This contribution to the Common Knowledge symposium “Fuzzy Studies” reports on the rise of the “popular assemblies” movement that swept the streets of Madrid in the wake of the May 15, 2011, occupation of Puerta del Sol. Assemblies have since taken installation in public spaces as infrastructural with significant methodological implications. Their incorporation into the cityscape has demanded of participants an inventive deployment of techniques and tactics drawn from archival practices and practices of hospitality, as well as the development of varieties of urban hardware. The “fuzz” or mess of the assembly—the difficulties that participants have at putting together, let alone understanding, the assembly as an urban form—offers a valuable perspective on present-day discussions concerning the city as an object of political claims and rights.

Political exhaustion and the experiment of street: Boyle meets Hobbes in Occupy Madrid

This essay describes the complex negotiations around stranger sociability, public space, and democratic knowledge that shaped the meetings of popular assemblies in the wake of the Spanish 15M/Occupy movement. The work of assembling was ‘exhausting’, by which participants would mean two things. In one sense, meetings would often turn into tiresome affairs, trying the patience and resilience of participants. In another sense, attendants would describe assemblies as spaces of political ‘exhaustion’, where politics as usual was emptied out and replaced by new democratic possibilities. We offer here an account of exhaustion as an ethnographic category. We are particularly interested in the role accorded to exhaustion as a vacuum enabling the appearance of novel social and political roles. We develop our argument by drawing a provocative analogy with the early history of scientific experimentation, where the nature of an ‘assembly’ of trusted peers and its location in genteel space became constitutive of a new type of experimental knowledge. What social and epistemic figures are popular assemblies bodying forth today?

Ethnography: a prototype

ABSTRACT The article describes a long-term collaboration with a variety of free culture activists in Madrid: digital artists, software developers and guerrilla architectural collectives. Coming of age as Spain walked into the abyss of the economic crisis, we describe how we re-functioned our ethnographic project into a ‘prototype’. We borrow the notion of prototype from free culture activism: a socio-technical design characterised by the openness of its underlying technical and structural sources, including for example access to its code, its technical and design specifications, and documentary and archival registries. These ethnographic prototypes functioned as boundary objects and zones of infrastructural enablement that allowed us to argue with our collaborators about the city at the same time as we argued through the city. Providing a symmetrical counterpoint to the actions of free culture hackers elsewhere in the city, our anthropological prototypes were both a cultural signature of the radical praxis taking place in Madrid today and its expressive infrastructure.