Elisenda Ardèvol

”For she who knows who she is:” Managing accountability in online forum messages’

The recent application of Conversation Analysis (CA) to online forum communication has been successful in explicating the sequential ties among messages. In this article, we build on those foundations and show how CA’s illumination of the structural resources of interaction can provide an analysis of accountable action in an online forum setting. We report a case study to illustrate how a user, in carrying off a ‘declaration of love,’ attends to her accountability in posting such a message. We analyse the message’s placement as an initiating first turn; its prefatory work as an announcement; its selection of next speaker; and its internal design as a turn-at-interaction. We show how these features are oriented to in the first message sent in response. The article concludes with a brief discussion of the usefulness of CA in illuminating users’ orientation to the accountable norms of online behavior.

‘The fruits of my own labor’: A case study on clashing models of co-creativity in the new media landscape

This article deals with the engagement of new media users in specific forms of participatory content production, focusing on productive and labour aspects in co-creative endeavours. We present a case analysis of a community-based filmmaking software, Moviestorm, focused on a specific set of practices – modding – and following the controversy that took place when a shift in the company’s business model altered the rules that tacitly constituted modders’ practices, particularly the notion of control over their own labour. We pay attention to motivations and expected rewards expressed by both modders and the company as a part of a negotiation process around the ownership and the affective and economic value of user-generated content. Our central argument is that through the analysis of practices, particularly in moments of conflict and change, we can acquire a more subtle understanding of an economy of affections in co-creative processes as well as observing the clashing models of co-creativity, with different approaches to peer production and hierarchy.

Some ethnographic notes on a Flickr group

This paper presents a number of examples from ethnographic fieldwork with a group of amateur photographers in Barcelona. Based on Practice Theory approach, as a theoretical framework, the article stands as an example of the study of photography that moves away from a representational or semiotic approach towards a performative one. The examples described show how different practices enable and enhance mediations that are material, visual and digital at the same time and how these practices are performed by the group while they shape their collective identity.

Practices of place-making through locative media artworks

Abstract In recent years, the vast increase in information flows has made it possible to instantly connect location-dependent information with physical spaces. These technologies have provided new forms of the representation of space as much as new forms of perception through tools and techniques used in land surveying, remote sensing, etc. From a critical point of view, pervasive computing, location-based applications, or, in other words, “locative media” provide an interesting framework to understand how these technologies relate to our understanding of space and place. Concretely, we want to examine how the uses of locative media in social-oriented artworks interact with peoples sense of place. This article therefore discusses contemporary theories on space related to media and technology with a specific focus on the conceptualization of the notion of place. It also relates these theories to the study of different locative media artworks: Canal Accessible (2006), Bio Mapping (2004), Disappearing Places (2007), and Coffee Deposits (2010). We contend that locative media artworks act upon distinctive ways to understand the mediation of technology in current place-making practices.