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Archive | 2014

10 Years of C-K Theory: A Survey on the Academic and Industrial Impacts of a Design Theory.

Marine Agogué; Akin Kazakçi

The goal of our research was to understand what is expected today from a design theory and what types of impact such type of scientific proposition may reach. To answer these questions with a grounded approach, we chose to study the development of C–K theory as phenomenon per se that can inform our research work. C–K theory is clearly recognised as a design theory and it is a good representative of the level of generality and abstraction of contemporary design theory, and the validity of the theory as such has already been documented (e.g. [32, 33, 35, 36, 47, 56, 68], Reich et al. 2010). The current work sets out to understand the dissemination and the impact of the theory in academic and industrial fields. The data collection overlooks the literature on C–K theory in English and in French, and includes interviews and feedbacks of students and industrial partners who applied C–K methodologies and tools. This research confirms the rapid diffusion and multiple impacts of C–K theory. Beyond, such study signals that there are important expectations towards a design theory within the field of knowledge at large. However there are strong conditions to meet these expectations: generality, generativity and relatedness to contemporary sciences. If it is impossible to say what will be the next generations of design theory, it is sure that they should progress on these directions.


Post-Print | 2016

Multiple forms of applications and impacts of a design theory -ten years of industrial applications of C-K theory

Armand Hatchuel; Pascal Le Masson; Benoit Weil; Marine Agogué; Akin Kazakçi; Sophie Hooge

C-K theory has been developed by Armand Hatchuel and Benoit Weil and then by other researchers since 1990s. In this paper we show that its very abstract nature and its high degree of universality actually supported a large variety of industrial applications. We distinguish three types of applications: 1) C-K theory provides a new language, that supports new analysis and descriptive capacity and new teachable individual models of thoughts; 2) C-K theory provides a very general framework to better characterize the validity domain and the performance conditions of existing methods, leading to potential improvement of these methods; 3) C-K theory is the conceptual model at the root of new design methods that are today largely used in the industry.


International Journal of Design Creativity and Innovation | 2018

Uncovering the specificities of CAD tools for industrial design with design theory – style models for generic singularity

Pierre-Antoine Arrighi; Pascal Le Masson; Benoit Weil; Akin Kazakçi

Abstract According to some casual observers, computer-aided design (CAD) tools are very similar. These tools are used to design new artifacts in a digital environment; hence, they share typical software components, such as a computing engine and human–machine interface. However, CAD software is dedicated to specific professionals – such as engineers, three-dimensional (3D) artists, and industrial designers (IDs) – who claim that, despite their apparent similarities, CAD tools are so different that they are not substitutable. Moreover, CAD tools do not fully meet the needs of IDs. This paper aims at better characterizing CAD tools by taking into account their underlying design logic, which involves relying on recent advances in design theory. We show that engineering CAD tools are actually modeling tools that design a generic variety of products; 3D artist CAD tools not only design but immediately produce single digital artifacts; and ID CAD tools are neither a mix nor an hybridization of engineering CAD and 3D artist CAD tools but have their own logic, namely to create new conceptual models for a large variety of products, that is, the creation of a unique original style that leads to a generic singularity. Such tools are useful for many creative designers beyond IDs.


Journal of Creative Behavior | 2014

The Impact of Type of Examples on Originality: Explaining Fixation and Stimulation Effects.

Marine Agogué; Akin Kazakçi; Armand Hatchuel; Pascal Le Masson; Benoit Weil; Nicolas Poirel; Mathieu Cassotti


Research in Engineering Design | 2013

On the imaginative constructivist nature of design: a theoretical approach

Akin Kazakçi


DS 60: Proceedings of DESIGN 2010, the 11th International Design Conference, Dubrovnik, Croatia | 2010

SIMULATION OF DESIGN REASONING BASED ON C-K THEORY: A MODEL AND AN EXAMPLE APPLICATION

Akin Kazakçi; Armand Hatchuel; P. Le Masson; Benoit Weil


Post-Print | 2014

The impacts of examples on creative design : explaining fixation and stimulation effects

Marine Agogué; Akin Kazakçi; Armand Hatchuel; Pascal Le Masson; Benoit Weil; Nicolas Poirel; Mathieu Cassotti


DS 75-2: Proceedings of the 19th International Conference on Engineering Design (ICED13), Design for Harmonies, Vol.2: Design Theory and Research Methodology, Seoul, Korea, 19-22.08.2013 | 2013

Beyond models and decisions: Situating design through generative functions

Armand Hatchuel; Yoram Reich; Pascal Le Masson; Benoit Weil; Akin Kazakçi


DS 68-2: Proceedings of the 18th International Conference on Engineering Design (ICED 11), Impacting Society through Engineering Design, Vol. 2: Design Theory and Research Methodology, Lyngby/Copenhagen, Denmark, 15.-19.08.2011 | 2011

THE IMPACT OF EXAMPLES ON CREATIVE DESIGN: EXPLAINING FIXATION AND STIMULATION EFFECTS

Marine Agogué; Akin Kazakçi; Benoit Weil; Mathieu Cassotti


European Research on Innovation and Management Alliance | 2008

Investigating co-innovation in exploratory partnerships: An analytical framework based on design theory

Akin Kazakçi; Thomas Gillier; Gérald Piat

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Benoit Weil

PSL Research University

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Gérald Piat

Électricité de France

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Mathieu Cassotti

Paris Descartes University

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Mehdi Cherti

Université Paris-Saclay

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Thomas Gillier

Grenoble School of Management

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