Claudia Pelosi

Surface Investigation of Photo-Degraded Wood by Colour Monitoring, Infrared Spectroscopy, and Hyperspectral Imaging

The aim of this investigation is to study the changes occurring on the surface of poplar wood exposed to artificial irradiation in a Solar Box. Colour changes were monitored with a reflectance spectrophotometer. Surface chemical modifications were evaluated by measuring the infrared spectra. Hyperspectral imaging was also applied to study the surface wood changes in the visible-near infrared and the short wave infrared wavelength ranges. The data obtained from the different techniques were compared to find the possible correlations in order to evaluate the applicability of the Hyperspectral imaging to investigate wood modifications in a non-invasive modality. The study of colour changes showed an important variation due to photo-irradiation which is the greatest change occurring within the first 24 hours. Infrared spectroscopy revealed that lignin degrades mainly in the first 48 hours. Concerning Hyperspectral imaging, the spectral features in the visible-near infrared range are mainly linked to the spectral shape, whereas in the short wave infrared cellulose and lignin affect shape and reflectance levels. The proposed approach showed that a correlation can be established between colour variation and wood degradation in the visible-near infrared range; furthermore in the short wave infrared region surface chemical changes can be assessed.

Colour measurements of surfaces to evaluate the restoration materials.

In this paper two case studies on the application of colour measurements for the evaluation of some restoration materials are discussed. The materials related to the research are: watercolours employed in restoration of wall paintings and preservative/consolidants for wood artifacts. Commercial watercolours, supplied by Maimeri, Windsor&Newton and Talens factories have been tested. Colour measurements have been performed by means of a reflectance spectrophotometer (RS) before and after accelerated ageing of watercolours at 92% relative humidity (RH) and in a Solar Box chamber. The experimental results show that watercolours based on natural earths and artificial ultramarine undergo the main colour changes, expressed as L*, a* and b* variations and total colour difference (▵E*). In the other cases colour differences depend on both watercolour typology and suppliers. The other example concerns the evaluation of colour change due to surface treatment of Poplar (Populus sp.) and chestnut (Castanea sativa L.) wood samples. The wooden samples have been treated with a novel organic preservative/consolidant product that has been tested also in a real case as comparison. The treated samples have been artificially aged in Solar Box chamber equipped with a 280 nm UV filter. Colour has been measured before and after the artificial ageing by means of a RS. Colour changes have been determined also for the main door of an historical mansion in Viterbo, made of chestnut wood, and exposed outdoors.

Application of spectroscopic techniques for the study of the surface changes in poplar wood and possible implications in conservation of wooden artefacts

The aim of this work is to study the surface modifications of poplar (Populus spp.) wood by reflectance spectrophotometry and Fourier Transform Infrared (FT-IR) spectroscopy in order to understand the mechanisms that cause the changes and to suggest possible solutions to avoid the degradation phenomena. Since colour changes on wood surfaces are due to photo degradation of its chemical constituents, the study of the relationship between CIELAB colour changes and changes in chemical composition due to irradiation is of practical importance both in cultural heritage and in contemporary artefacts and objects. Concerning the surface protection of wood, starting from the results obtained by testing different commercial products, the attention has been focused on Linfoil®, a novel organic preservative/consolidant product that seems to attract a great interest in the field of conservation of wooden artefacts. Linfoil® was chosen and analysed in order to understand its composition and its time stability using reflectance spectrophotometry, FT-IR spectroscopy and analytical pyrolysis coupled to a gas chromatographic-mass spectrometric system. Colour monitoring allowed to find that wood surface colour undergoes an important variation due to photo-irradiation, occurring within the first 24 hours and mainly due to L* decrease and b* increase. Though Linfoil® treatment modifies wood colour, nevertheless it seems to protect wood surface by reducing the yellowish. FT-IR spectroscopy allowed to investigate the rate of photo-degradation of wood surface due to lignin oxidation. The most important result is that a correlation of the colour changes may be derived with the photo-degradation of lignin obtained by FT-IR analysis.

Light-induced color changes and chemical modification of treated and untreated chestnut wood surface

Abstract The aim of this work is to study the surface modifications of chestnut (Castanea sativa Mill.) wood by reflectance spectrophotometry and Fourier transform infrared spectroscopy (FTIR) in order to understand the mechanisms that cause changes and to suggest possible solutions to avoid degradation phenomena. The experimental data were statistically treated to evaluate their significance. Concerning the surface protection of wood, starting from the results obtained by testing different commercial products, attention was focused on a novel organic preservative/consolidant product (Linfoil®) that has attracted great interest in the field of conservation of wooden artifacts. Color monitoring showed that wood surface color undergoes an important variation due to photoirradiation, occurring within the first 24 hours and mainly due to L* decrease and b* increase. Though the protective treatment modifies wood color, nevertheless the product tested seems to protect the wood surface by reducing photoyellowing. FTIR analysis indicated that irradiation caused the degradation of lignin and increased the concentration of the chromophore groups on the wood surface. Changes in the chromaticity coordinates can be linked to the degradation of lignin and to increase of the concentration of carbonyl groups.

Cappadocian ignimbrite cave churches: stone degradation and conservation strategies

The focus of this research is to investigate the minero-petrographic features and the conservation aspects of the stone materials from some rock-hewn churches in Cappadocia region (Turkey) in order to choose the most appropriate consolidating systems to improve the resistance against the weathering and degradation phenomena of this unique world heritage site. In this study, specimens from the Tokali church in the Goreme’s Open Air Museum, and from the Forty Martyrs Church in Şahinefendi were analysed by optical microscopy and X-ray diffraction in order to examine the properties of the rock and especially how well preserved it is. The ignimbrite samples show a porphyritic structure with vitrophyric groundmass and crystalloclastic-vitrophyric texture. The presence of smectite and illite caused serious damage to the rock structure such as cracks, decohesion, exfoliation, and disaggregation phenomena.The consolidation tests were performed on the ignimbrite specimens, sized according to the standard procedure, by using three commercial silica-based products: NanoEstel, Estel 1000, and Estel 1100. The consolidant penetration was investigated by titanium labelling procedure followed by scanning electron microscopy–energy dispersive spectroscopy analysis. Colour measurements were used to study the possible chromatic changes due to the treatments. The capillary test was performed to evaluate the amount of water absorbed by the stone surfaces before and after the consolidating treatments. Lastly, the surface cohesion due to the consolidation was investigated by using the peeling test carried out on untreated and treated samples.The consolidating tests showed that the solvent-based products (Estel 1000, Estel 1100) exhibit a better distribution than the aqueous suspensions (NanoEstel). Nevertheless NanoEstel gives better results in the capillary absorption test, suggesting that this product has the ability to leave the stone porous structure substantially unaltered.

Protective behaviour monitoring on wood photo-degradation by spectroscopic techniques coupled with chemometrics

This paper reports the investigation on the effect of protective materials on poplar (Populus sp.) wood modifications as consequence of artificial photo-degradation in controlled environment. The novelty of this work is to try to understand what happens to wood surface under the protective layer. Shellac, beeswax and Linfoil® were tested to compare traditional and novel products generally used for wood. The samples, uncovered and covered by these protective layers, were artificially aged. Colour and chemical modifications due to ageing were investigated at different time intervals by reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging. The obtained data were elaborated by statistical and chemometric tools in order to verify their significance and to assess the relationship between groups of measurements. The results highlighted that shellac, beeswax and Linfoil® materials have a very low protective effect on wood photo-degradation for long times of exposure, by little reducing the changes of wood components.

The Altar Machine in the Church Mother of Gangi (Palermo, Italy). Interpretation of the past uses, scientific investigation and preservation challenge

BackgroundThe aim of this work was to study the Altar Machine in the Church Mother of Gangi, a little town near Palermo (Italy) regarding the history, the technical manufacture, the constitutive materials and the state of preservation.The Altar Machine was dated back to the second half of the 18th century; it is constituted by carved and painted wood, a complex system of winch and pulleys allows move various statues and parts of the Machine in accordance with the baroque scenography machineries.ResultsThe observation and survey of the mechanisms allowed formulate hypothesis on a more ancient mode of operation of the Altar Machine.Laboratory analysis revealed the presence of many superimposed layers constituted by several different materials (protein binders, siccative oils, natural terpene resins, shellac, calcium carbonate, gypsum, lead white, brass, zinc white, iron oxides) and different wood species employed for the original and restoration elements of the Machine. This is due to a continuous usage of the object that has got a demo-ethno-anthropological significance.Microclimate monitoring (relative humidity RH and temperature T) put in evidence that most of the data fall outside the tolerance intervals, i.e. the RH and T limits defined by the international standards. In particular, T values were generally high (out of the tolerance range) but they appeared to be quite constant; on the other hand RH values fell almost always inside the tolerance area but they often exhibited dangerous variations.ConclusionsThe characterization of the constitutive materials provided useful information both to support the dating of the Machine proposed by the inscription and to obtain a base of data for a possible conservation work.The microclimate monitoring put in evidence that the temperature and relative humidity values are not always suitable to correctly preserve the artefact. The careful in situ investigation confirmed an on-going climate induced damage to the Altar Machine that, associated to the deterioration caused by its usage, may have dramatic consequences on this unique and peculiar work of art.The results of this work will have potential implications in the near future regarding a probable conservation project on the Machine.

A new approach for the modelling of chestnut wood photo-degradation monitored by different spectroscopic techniques

The aim of this work is to study the colour and chemical modifications of the surfaces in chestnut wood samples as a consequence of irradiating in a controlled environment. The changes were investigated by a new analytical approach by combining traditional techniques such as reflectance spectrophotometry in the visible range and Fourier transform infrared spectroscopy with new hyperspectral imaging, in order to obtain forecast models to describe the phenomenon. The statistical elaboration of the experimental data allowed to validate the measurements and to obtain models enabling to relate the investigated parameters; the elaboration of the hyperspectral images by chemometric methods allowed for studying the changes in the reflectance spectra. A result of great importance is the possibility to correlate the oxidation of wood chemical components with the colour change in a totally non-invasive modality. This result is particularly relevant in the field of cultural heritage and in general in the control processes of wooden materials.

Study of the laser cleaning on plaster sculptures. The effect of laser irradiation on the surfaces

The focus of this paper is to study the effects caused by the laser irradiation on nineteenth and twentieth century plaster sculptures. Before applying the laser cleaning on the sculptures, it was tested on samples prepared in laboratory according to the results of the scientific investigation carried out on the selected works of art. The characterization of the surface finishing materials of the sculptures was performed by Fourier Transform Infrared spectrometry (FTIR), X-ray Fluorescence spectroscopy (XRF), UV fluorescence photography, and internal micro stratigraphic analysis. Regarding the finishing materials, shellac, zinc white, siccative oil and proteins were found on the surfaces. The results of the scientific investigation, together with the examination of the ancient technical manuals, were used to create the laboratory samples to carry out the irradiation tests with laser. The laser irradiation and cleaning tests were carried out with a Q-switched Nd:YAG system. The irradiated surfaces were analyzed before and after the laser tests with the aid of a video microscope and a reflectance spectrophotometer, in order to evaluate the color changes of the surfaces. The possible morphological modifications caused by laser irradiation were also investigated by Scanning Electron Microscopy (SEM) together with ancillary Energy Dispersive Spectroscopy (EDS) elemental analysis. Concerning the laser cleaning test on the samples, in general little color changes were observed both with the 532 and 1064 nm wavelength. Total color changes, expressed as ΔE*, are always small apart from the samples made of shellac and zinc white in linseed oil, as finishing layer. As regards these samples the surface irradiated with the laser greyed lightly, corresponding to a decrease of L* parameter (lightness). SEM imaging of the treated and not-treated samples, both at low and high magnification, does not show evidence of significant morphological differences due to the laser beam irradiation. Starting from these results, some laser cleaning tests were carried out on the original sculptures, putting them in comparison with an aqueous cleaning method. It was found that the laser cleaning removes effectively the dirt layer preserving the original finishing on the sculpures’ surface, whereas the aqueous cleaning system removes also the finishing.

Laser cleaning experiences on sculptures’ materials: terracotta, plaster, wood, and wax

The focus of this paper is to show the work experiences with laser cleaning on sculptures made of terracotta, plaster, wood and wax. These materials exhibit peculiar features that often prevent the use of traditional cleaning procedures to remove the surface dirt, soot or carbonaceous deposits and other materials coming from environment or ancient conservative interventions. To overcome the difficulties in the cleaning of the above mentioned materials, laser technology was tested. The laser irradiation and cleaning tests were carried out with a Q-switched Nd:YAG system under the following conditions: wavelength 1064 nm and 532 nm; energy 4-28 mJ; pulse duration 10 ns; spot diameter 2-8 mm; frequency 5 Hz. The irradiated surfaces were analyzed before and after the laser tests, with the aid of a video microscope and a reflectance spectrophotometer, in order to evaluate the morphology and colour changes of the surfaces. Before starting with the cleaning intervention, some diagnostic analysis was performed on the sculptures in order to obtain the identification of the original materials and of the surface deposits. Concerning this, Fourier Transform Infrared spectroscopy, X-ray fluorescence spectroscopy, and internal micro stratigraphic analysis were performed. This research demonstrated that the laser cleaning is an effective method to remove the surface deposits preserving the original patina of the sculptures and the opacity of the wax. The results gathered in this work encourage to continue the research in order to better understand the interactions between the laser beam and the surfaces and to find the most appropriate laser conditions to clean the sculptures.