Danny Praet

A Marriage of Equals

This article discusses the post-Nicene passio Chrysanthi et Dariae (BHL 1787-1787a-1788) and aims to demonstrate that this text gives evidence of more literary subtlety than the late antique passions usually get credit for. To underpin this claim, we analyze the characterization of the passions protagonists Chrysanthus and Daria. The characterization reveals, we contend, how the passio takes different, ambiguous approaches to traditional gender roles. On the one hand, one detects a movement towards sexual symmetry: both in the intellectual and in the sexual realm, Chrysanthus and Dania become equals. On the other hand, the movement towards sexual symmetry does not preclude the evocation of traditional gender roles in this passion: when it comes to instruction in the faith, the accepted gender roles prevail.

Alfred Loisy’s Comparative Method in Les mystères païens et le mystère chrétien

While the work of the “father of Roman Catholic Modernism” prior to his excommunication in 1908 has been extensively studied, Alfred Loisy’s later career as professor of Histoire des Religions at the College de France has received less attention. This article examines his original contribution to comparative methodology for the interrelation between early Christianity and the pagan mystery cults. Loisy’s explicit aim was to integrate the historical, sociological, psychological, and anthropological approaches of his time into an original and all-encompassing methodological framework.Our article pays special attention to Loisy’s predominant yet hitherto unnoticed use of a model of analogy. Crucial to this interpretation are (a) the idea that the Christian mystery and the pagan mysteries are the result of a universal and independent, analogous evolution of religions, and (b) the theory that ritual precedes myth, adopted from the Cambridge Myth and Ritual School. We show that Loisy’s novelty resided in the fact that he consistently applied these principles to both the pagan cults and to Christianity, but it will also become clear that his systematic approach entailed major problems for the individual features of the compared cults, problems which he tended to overlook. Loisy combined this analogical framework with a psychological interpretation of the genesis of the belief in Christ’s resurrection and with a historical-genealogical explanation of Paul’s knowledge and use of the mystery cults. The article also uses unpublished material from Loisy’s correspondence with Franz Cumont.

The saint as cunning heroine: rhetoric and characterization in the Passio Caeciliae

This article provides a detailed analysis of character construction in the fifth century passio Caeciliae (Bibliotheca Hagiographica Latina 1495 – 1495a – 1496). Our analysis sets out to challenge the general assumption that character construction in the late antique passions can correctly be described in terms of stereotypes. The passio Caeciliae appeals to and inverts reader expectations based upon traditional patterns in erotic narrative. We also argue that it individuates the different characters (Caecilia and her fellow martyrs) by documenting one specific area of their representation, namely rhetorical ability. In this thematic area, Caecilia is set apart from her husband Valerianus: unlike him, she displays elaborate rhetorical aptitude which allows her to obtain the dominant position in the marriage and to achieve her aims. But the art of rhetoric is also a skill that can be learned as is shown by the character of Valerianus whose rhetorical approach changes in the course of the passion. Our analysis suggests that this passion from a literary point of view constitutes a more interesting text than is generally assumed.This article provides a detailed analysis of character construction in the fifth century passio Caeciliae ( Bibliotheca Hagiographica Latina 1495 – 1495a – 1496). Our analysis sets out to challenge the general assumption that character construction in the late antique passions can correctly be described in terms of stereotypes. The passio Caeciliae appeals to and inverts reader expectations based upon traditional patterns in erotic narrative. We also argue that it individuates the different characters (Caecilia and her fellow martyrs) by documenting one specific area of their representation, namely rhetorical ability. In this thematic area, Caecilia is set apart from her husband Valerianus: unlike him, she displays elaborate rhetorical aptitude which allows her to obtain the dominant position in the marriage and to achieve her aims. But the art of rhetoric is also a skill that can be learned as is shown by the character of Valerianus whose rhetorical approach changes in the course of the passion. Our analysis suggests that this passion from a literary point of view constitutes a more interesting text than is generally assumed.