Kristoffel Demoen

Bakhtin's theory of the literary chronotope: reflections, applications, perspectives

This edited volume is the first scholarly tome exclusively dedicated to Mikhail Bakhtin’s theory of the literary chronotope. This concept, initially developed in the 1930s and used as a frame of reference throughout Bakhtin’s own writings, has been highly influential in literary studies. After an extensive introduction that serves as a ‘state of the art’, the volume is divided into four main parts: Philosophical Reflections, Relevance of the Chronotope for Literary History, Chronotopical Readings and Some Perspectives for Literary Theory. These thematic categories contain contributions by well-established Bakhtin specialists such as Gary Saul Morson and Michael Holquist, as well as a number of essays by scholars who have published on this subject before. Together the papers in this volume explore the implications of Bakhtin’s concept of the chronotope for a variety of theoretical topics such as literary imagination, polysystem theory and literary adaptation; for modern views on literary history ranging from the hellenistic romance to nineteenth-century realism; and for analyses of well-known novelists and poets as diverse as Milton, Fielding, Dickinson, Dostoevsky, Papadiamandis and DeLillo.

Makarios’ cycle of epigrams on the Psalms Bodleian Baroccianus 194

Abstract This article provides the editio princeps of a cycle of eight dodecasyllabic poems on the Psalms preserved in Bodleian Baroccianus 194 (15th century). Four of these poems are also present in other manuscripts and enjoyed a certain degree of popularity as book epigrams. The four others are found in this manuscript only. The cycle contains an acrostic: ΜΑΚΑΡΙΟΥ. This Makarios is likely to have compiled the cycle and to have composed the otherwise unknown poems. The Psalms themselves are not included in the manuscript. Only two short commentaries on the Psalms precede and follow the cycle. This implies that at least the four known book epigrams lost their original function as poems referring deictically to the Psalms. A verse prayer to the Trinity that was preserved on the same folio is edited in an appendix.

New testament book epigrams

Abstract The article offers an edition, translation and commentary of eight so-called book epigrams. They all stem from eleventh-century manuscripts containing the New Testament or commentaries on it, more specifically the Paris. Coisl. 199, the Vindobon. Theol. Gr. 302, the Paris. Coisl. 26, and the Vatic. Gr. 363. While most of them are unedited, the second one is a conflation of known epigrams, and the third an unknown version of a previously edited epigram. Although book epigrams are frequently encountered in Byzantine manuscripts, the genre has not received much attention. In the track of the recently increasing interest in manuscripts as cultural artifacts in their own right, our commentary focuses on the relationship between epigram and manuscript, and the process of copying. It also discusses textual problems, structure, content, function, vocabulary, and metrical features of the poems. The analysis is enriched by parallels from other, mostly contemporary, book epigrams, which were collected during an ongoing database project at Ghent University. The comparison shows, among other things, that the material belonging to this genre is ‘recyclable’: it is constantly re-used, sometimes with slight but meaningful modifications.

Exemples d'antonomasie dans l'Oraison funèbre de S. Basile de Césarée (BHG 245) Un nom peut en cacher un autre

The rhetorical device of the (Vossian) antonomasia, which substitutes the name of a (biblical) character for a contemporary person, can reveal, in Christian authors, a typological point of view.