Elizabeth M. Tyler

Fictions of Family: The Encomium Emmae Reginae and Virgil's Aeneid

The Encomium Emmae Reginae was written in the early 1040s to support the interests of Queen Emma as the period of Danish rule in England came tumultuously to an end. Its author was probably a Flemish monk from the foundation of Saint-Bertin. Recent scholarship suggests that the Encomiast wrote from within and for the Anglo-Danish court, whose members were intimately familiar with Emma’s role in the complex dynastic politics of the Anglo-Danish period. This article considers the impact of writing in this context for the Encomiast’s understanding of his text as historiography and argues that he uses Virgil’s Aeneid, and the tradition of commentaries on this text, to explore the nature of fiction and history. The terms of his exploration are sophisticated and reveal that he was working in an intellectual climate which would, in the twelfth century, begin to produce coherent conceptual arguments for the truth of made-up fictions.

&1squo;The eyes of the beholders were dazzled’: treasure and artifice in Encomium Emmae Reginae

This article examines the fantastic display of treasure recounted in the Encomium Emmae Reginae. Particular attention is given to the literary traditions and sensibilites, both Latin and the vernacular, which govern the Encomiasts representation of treasure. Treasure emerges as a complex, changing and powerful symbol in eleventh-century Anglo-Danish England.