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Featured researches published by Iwao Higashi.


Journal of the Acoustical Society of America | 1996

Method of detecting localization of acoustic image and acoustic image localizing system

Iwao Higashi

A method of detecting localization of an acoustic image, in which an acoustic impulse is emitted from a sound source to a dummy of a human head, an acoustic sensor is provided to a portion of the dummys ears, and the response waveform is received by the acoustic sensor. This enables the detection of what effects are derived from interruption, reflection, and the like of a tone due to the human head. The received response waveform is analyzed and parameters for an acoustic image localization system are obtained. The acoustic image localization system comprising a delay circuit, a filter and an amplification controller sets the parameters into the delay circuit, the filter and the amplification controller, so that the detected localization of an acoustic image is reproduced.


Journal of the Acoustical Society of America | 1996

Musical tone synthesizing apparatus utilizing an all-pass filter having a variable fractional delay

Chifumi Takeuchi; Iwao Higashi

The musical tone synthesizing apparatus is mainly configured by a closed loop which at least provides a delay circuit and an all-pass filter. The delay circuit delays an input signal (e.g., excitation wave signal) by a first delay time corresponding to a certain integral number of sampling periods. The all-pass filter functions to at least delay an output of the delay circuit by a second delay time corresponding to a decimal fraction of the sampling period, so that an output of the all-pass filter is fed back to the delay circuit. The whole delay time of the closed loop consists of the first and second delay times which can be respectively controlled. Thus, a musical tone signal representing a synthesized musical tone (e.g., an attenuating sound which is produced from an percussion instrument) is picked up from the closed loop. Incidentally, the whole configuration of the closed loop can be embodied by a digital signal processor (DSP).


Journal of the Acoustical Society of America | 1993

Resonant effect apparatus for electronic musical instrument

Iwao Higashi; Yasuyuki Umeyama

A resonant effect apparatus for an electronic musical instrument includes a plurality of resonant tone signal forming channels for forming a plurality of resonant tone signals different in their resonant frequency characteristics when applied with a musical tone to be generated and a plurality of acoustic conversion systems for acoustically converting each of the resonant tone signals to issue the converted resonant tone signals therefrom. In the resonant effect apparatus, a supply condition of the resonant tone signals to the acoustic conversion systems is controlled for control of a sound localization of the resonant tone signals.


Journal of the Acoustical Society of America | 1995

Electronic musical instrument capable of simulating small pitch variation at initiation of musical tone generation

Toru Kitayama; Iwao Higashi; Tomoyuki Funaki

An electronic musical instrument: is provided to perform an active control on the pitch of the musical tone to be generated, thereby simulating the pitch-rising phenomenon to be occurred in the performance of a non-electronic musical instrument such as a wind instrument, percussion instrument and stringed instrument. In case of the simulation of the wind instrument, this electronic musical instrument is mainly configured by an excitation-vibration circuit and a tube simulation circuit which are connected together by means of a junction. The tube simulation circuit is configured by a closed-loop circuit in which plural delay circuits and junction circuits are connected together in cascade-connection manner. Herein, the delay circuits simulate the propagation delay of the air-pressure wave to be transmitted through the tube of the wind instrument, while the junction circuits simulate the scattering manner of the air-pressure wave at the points at which the diameter of the tube is changed. The number of the delay stages which are required to simulate the musical sound is controlled to be changed in a lapse of time.


Archive | 1991

Musical sound synthesizer

Akira Yamauchi; Toshifumi Kunimoto; Chifumi Takeuchi; Iwao Higashi


Archive | 1992

Signal delay circuit, FIR filter and musical tone synthesizer employing the same

Akira Yamauchi; Toshifumi Kunimoto; Chifumi Takeuchi; Iwao Higashi


Journal of the Acoustical Society of America | 1993

Musical tone waveform signal forming apparatus with pitch and tone color modulation

Iwao Higashi


Archive | 1992

Musical tone synthesizing apparatus

Iwao Higashi


Archive | 1996

Sound parameter editing device for an electronic musical instrument

Masahiro Koyama; Takuro Sone; Iwao Higashi


Archive | 1992

Musical tone synthesizing apparatus having smoothly varying tone control parameters

Tomoyuki Funaki; Iwao Higashi; Toru Kitayama; Hideyuki Masuda; Toshifumi Kunimoto

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