Toru Kitayama
Yamaha Corporation
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Publication
Featured researches published by Toru Kitayama.
Journal of the Acoustical Society of America | 2002
Toru Kitayama
The present invention is directed to a musical sound modification apparatus and method whereby natural musical instrument sounds are analyzed to extract time variant information of pitch, amplitude and timbre, as Musical Sound Modification Data, which are stored in a temporary memory area as pitch Template, amplitude Template and timbre Template for each of attack part, sustain part and release part of a musical sound. Musical Sound Modification Data for one musical note is formed by selectively joining each Template of attack part, sustain part and release part, and for each of pitch, amplitude and timbre, and is pasted to a series of musical note data in music data. At music reproduction by the music data, the generated musical sound gives a “realistic feeling” to human ear owing to supplied time variant characteristics, because each of pitch, amplitude and timbre of the musical sounds corresponding to the musical note data is modified by said Musical Sound Modification Data.
Journal of the Acoustical Society of America | 1995
Toru Kitayama; Iwao Higashi; Tomoyuki Funaki
An electronic musical instrument: is provided to perform an active control on the pitch of the musical tone to be generated, thereby simulating the pitch-rising phenomenon to be occurred in the performance of a non-electronic musical instrument such as a wind instrument, percussion instrument and stringed instrument. In case of the simulation of the wind instrument, this electronic musical instrument is mainly configured by an excitation-vibration circuit and a tube simulation circuit which are connected together by means of a junction. The tube simulation circuit is configured by a closed-loop circuit in which plural delay circuits and junction circuits are connected together in cascade-connection manner. Herein, the delay circuits simulate the propagation delay of the air-pressure wave to be transmitted through the tube of the wind instrument, while the junction circuits simulate the scattering manner of the air-pressure wave at the points at which the diameter of the tube is changed. The number of the delay stages which are required to simulate the musical sound is controlled to be changed in a lapse of time.
Journal of the Acoustical Society of America | 1993
Toshifumi Kunimoto; Hideyuki Masuda; Toru Kitayama
Archive | 2000
Tetsuo Nishimoto; Masahiro Kakishita; Yutaka Tohgi; Toru Kitayama; Toshiyuki Iwamoto; Norio Suzuki; Akane Iyatomi; Akira Yamauchi
Archive | 1998
Chifumi Takeuchi; Toru Kitayama; Toshifumi Kunimoto
Archive | 2004
Toru Kitayama
Archive | 1997
Toru Kitayama
Archive | 1993
Toru Kitayama; Yoichiro Ogai
Archive | 2002
Toru Kitayama; Makoto Takahashi
Archive | 2000
Toshiyuki Iwamoto; Masahiro Kakishita; Toru Kitayama; Tetsuo Nishimoto; Norio Suzuki; Atsushi Tougi; Akira Yamauchi; Akane Yatomi; 徹 北山; 明 山内; 俊幸 岩本; あかね 彌富; 温 東儀; 正尋 柿下; 哲夫 西元; 則夫 鈴木