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Dive into the research topics where Kirk Martinez is active.

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Featured researches published by Kirk Martinez.


IEEE Computer | 2004

Environmental sensor networks

Kirk Martinez; Jane K. Hart; Royan Ong

The developments in wireless network technology and miniaturization makes it possible to realistically monitor the natural environment. Within the field of environmental sensor networks, domain knowledge is an essential fourth component. Before designing and installing any system, it is necessary to understand its physical environment and deployment in detail. Sensor networks are designed to transmit data from an array of sensors to a server data repository. They do not necessarily use a simple one way data stream over a communication network rather elements of the system decide what data to pass on, using local area summaries and filtering to minimize power use while maximizing the information content. The Envisense Glacs Web project is developing a monitoring system for a glacial environment. Monitoring the ice caps and glaciers provides valuable information about the global warming and climate change.


sensor, mesh and ad hoc communications and networks | 2004

Glacsweb: a sensor network for hostile environments

Kirk Martinez; Royan Ong; Jane K. Hart

A sensor network is described which obtains data from nodes on and inside glaciers. Power management through scheduling and selective control is used to allow a lifetime of at least one year on batteries. Radio links in the glacier and across 2.5 km distances are used for data and commands. The prototype system was installed in Norway in 2003 and this paper describes details of the full design for 2004 through discussion of the lessons learnt.


Proceedings of the IEEE | 2002

Ten years of art imaging research

Kirk Martinez; John Cupitt; David Saunders; Ruven Pillay

This paper describes a decade of work on digital imaging for museums. From 1989 to 1992, the visual arts system for archiving and retrieval of images (VASARI) project produced a digital-imaging system that made color-calibrated images of up to 20000/spl times/20000 pixels directly from paintings. It used seven color-separation bands in the visible region, resulting in an average color error of around 1 /spl Delta/E*/sub ab/ unit. These images have since been used to monitor the condition of paintings, document paintings during conservation treatment, including predicting appearance after cleaning, reconstruct the original appearance of paintings in which pigments have faded, and assess whether paintings have been damaged during transportation, in estimations of the surface reflectance spectra and in the printing of high-quality reproductions. We have applied similar techniques to museum infrared and X-ray imaging. To manage the images produced by the VASARI system, an image-processing package has been developed that is tailored for very large colorimetric images. This package has since been used in several other projects, including a remote image viewer designed to provide internet access to high-resolution images. The paper explores these developments and gives details of the current generation of VASARI-derived systems, set in the context of the state of the art for museum imaging.


adaptive agents and multi-agents systems | 2006

A utility-based sensing and communication model for a glacial sensor network

Paritosh Padhy; Rajdeep K. Dash; Kirk Martinez; Nicholas R. Jennings

This paper reports on the development of a utility-based mechanism for managing sensing and communication in cooperative multi-sensor networks. The specific application considered is that of GLACSWEB, a deployed system that uses battery-powered sensors to collect environmental data related to glaciers which it transmits back to a base station so that it can be made available world-wide to researchers. In this context, we first develop a sensing protocol in which each sensor locally adjusts its sensing rate based on the value of the data it believes it will observe. Then, we detail a communication protocol that finds optimal routes for relaying this data back to the base station based on the cost of communicating it (derived from the opportunity cost of using the battery power for relaying data). Finally, we empirically evaluate our protocol by examining the impact on efficiency of the network topology, the size of the network, and the degree of dynamism of the environment. In so doing, we demonstrate that the efficiency gains of our new protocol, over the currently implemented method over a 6 month period, are 470%, 250% and 300% respectively.


IS&T/SPIE's Symposium on Electronic Imaging: Science and Technology | 1993

High-resolution colorimetric imaging of paintings

Kirk Martinez; John Cupitt; David Saunders

With the aim of providing a digital electronic replacement for conventional photography of paintings, a scanner has been constructed based on a 3000 X 2300 pel resolution camera which is moved precisely over a 1 meter square area. Successive patches are assembled to form a mosaic which covers the whole area at c. 20 pels/mm resolution, which is sufficient to resolve the surface textures, particularly craquelure. To provide high color accuracy, a set of seven broad-band interference filters are used to cover the visible spectrum. A calibration procedure based upon a least-mean-squares fit to the color of patches from a Macbeth Colorchecker chart yields an average color accuracy of better than 3 units in the CMC uniform color space. This work was mainly carried out as part of the VASARI project funded by the European Commissions ESPRIT program, involving companies and galleries from around Europe. The system is being used to record images for conservation research, for archival purposes and to assist in computer-aided learning in the field of art history. The paper will describe the overall system design, including the selection of the various hardware components and the design of controlling software. The theoretical basis for the color calibration methodology is described as well as the software for its practical implementation. The mosaic assembly procedure and some of the associated image processing routines developed are described. Preliminary results from the research will be presented.


extended semantic web conference | 2011

A semantically enabled service architecture for mashups over streaming and stored data

Alasdair J. G. Gray; Raúl García-Castro; Kostis Kyzirakos; Manos Karpathiotakis; Jean-Paul Calbimonte; Kevin R. Page; Jason Sadler; Alex Frazer; Ixent Galpin; Alvaro A. A. Fernandes; Norman W. Paton; Oscar Corcho; Manolis Koubarakis; David De Roure; Kirk Martinez; Asunción Gómez-Pérez

Sensing devices are increasingly being deployed to monitor the physical world around us. One class of application for which sensor data is pertinent is environmental decision support systems, e.g. flood emergency response. However, in order to interpret the readings from the sensors, the data needs to be put in context through correlation with other sensor readings, sensor data histories, and stored data, as well as juxtaposing with maps and forecast models. In this paper we use a flood emergency response planning application to identify requirements for a semantic sensor web. We propose a generic service architecture to satisfy the requirements that uses semantic annotations to support well-informed interactions between the services. We present the SemSor- Grid4Env realisation of the architecture and illustrate its capabilities in the context of the example application.


IEEE Transactions on Image Processing | 2004

An integrated content and metadata based retrieval system for art

Paul H. Lewis; Kirk Martinez; Fazly Salleh Abas; Mohammad Faizal Ahmad Fauzi; Stephen C. Y. Chan; Matthew Addis; Michael Boniface; Paul Grimwood; Alison Stevenson; Christian Lahanier; James Stevenson

A new approach to image retrieval is presented in the domain of museum and gallery image collections. Specialist algorithms, developed to address specific retrieval tasks, are combined with more conventional content and metadata retrieval approaches, and implemented within a distributed architecture to provide cross-collection searching and navigation in a seamless way. External systems can access the different collections using interoperability protocols and open standards, which were extended to accommodate content based as well as text based retrieval paradigms. After a brief overview of the complete system, we describe the novel design and evaluation of some of the specialist image analysis algorithms, including a method for image retrieval based on sub-image queries, retrievals based on very low quality images and retrieval using canvas crack patterns. We show how effective retrieval results can be achieved by real end-users consisting of major museums and galleries, accessing the distributed, but integrated, digital collections.


sensor networks ubiquitous and trustworthy computing | 2006

Deploying a sensor network in an extreme environment

Kirk Martinez; Paritosh Padhy; Ahmed Elsaify; Gang Zou; Alistair Riddoch; Jane K. Hart; H. L. R. Ong

A wireless sensor network has been designed and deployed to gather data from nodes deployed inside glaciers. This paper describes the solutions to power management, radio communications and other challenges faced in the system together with a discussion of the performance of the final system. 18 months of data have now been received, which provide an insight not only into the glaciers behaviour but also into the design decisions. The system uses custom PIC-based sensor nodes and an ARM-based base station which controls weather and differential GPS. Different versions have been installed in Norway from 2003-5 and this paper describes the lessons learnt from coping with the extreme conditions that of glaciers


international conference on image processing | 2005

VIPS - a highly tuned image processing software architecture

Kirk Martinez; John Cupitt

This paper describes the VIPS image processing library and user-interface. VIPS is used in many museums and galleries in Europe, America and Australia for image capture, analysis and output. VIPS is popular because it is free, cross-platform, fast, and can manage images of unlimited size. It also has good support for color, an important feature in this sector. Its architecture will be illustrated through examples of its use in a range of museum-driven applications. VIPS is free software distributed under the LGPL license.


international semantic web conference | 2003

SCULPTEUR: towards a new paradigm for multimedia museum information handling

Matthew Addis; Michael Boniface; Simon Goodall; Paul Grimwood; Sanghee Kim; Paul H. Lewis; Kirk Martinez; Alison Stevenson

This paper describes the design and prototype implementation of a novel architecture for integrated concept, metadata and content based browsing and retrieval of museum information. The work is part of a European project involving several major galleries and the aim is to provide more versatile access to digital collections of museum artefacts, including 2-D images, 3-D models and other multimedia representations. An ontology for the museum domain, based on the CIDOC Conceptual Reference Model, is being developed as a semantic layer with references to the digital collection as instance information. A graphical concept browser is an integral component in the user interface, allowing navigation through the semantic layer, display of thumbnails, or full representations of artefacts and textual information in appropriate viewers and the invocation of conventional content based searching or combined querying. Semantic Web technologies are used in system integration to describe how tools for analysis and visualisation can be applied to different data types and sources. This supports flexible and managed formulation, execution and interpretation of the results of distributed multimedia queries. Combined searches using concepts, content and metadata can be initiated from a single user interface.

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Jane K. Hart

University of Southampton

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Paul H. Lewis

University of Southampton

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Matthew Addis

University of Southampton

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Graeme Earl

University of Southampton

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John Cupitt

National Gallery of Art

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Simon Goodall

University of Southampton

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