Lars Villemoes

A Backward-Compatible Multichannel Audio Codec

We propose in this paper a backward-compatible multichannel audio codec. This codec represents a multichannel audio input signal by a down mix and parametric data. In order to enable backward compatibility, it is necessary to have the possibility of exerting control over the down-mixing procedure. At the same time, in order to achieve a high coding efficiency, both signal and perceptual redundancies should be exploited. In this paper, we describe a codec that unifies the above-mentioned conditions: backward compatibility and exploitation of both signal and perceptual redundancies. The codec combines a high audio quality and a low parameter bit rate. Moreover, its design is flexible, examples of which are the scalability of the audio quality to (in principle) transparency and the possibility to preserve the correlation structure of the original input signals by using synthetic signals. A stereo backward compatible version of the proposed codec is used as a component of the recently standardized MPEG Surround multichannel audio codec.

Efficient transform coding of two-channel audio signals by means of complex-valued stereo prediction

Traditional MDCT-based perceptual audio coding schemes employ mid/side and intensity stereo techniques to allow efficient joint coding of the two channels of a stereophonic signal. These techniques, however, provide only little coding gain for critical stereo signals characterized by spectral components with a distinct level or phase difference between the channels. To overcome this deficiency, we propose an extension to the mid/side coding paradigm that utilizes complex-valued inter-channel linear prediction in the MDCT spectral domain. The required imaginary spectrum (MDST) is calculated in a computationally efficient manner without additional algorithmic delay. A formal listening test conducted in the course of the ISO/MPEG standardization of the unified speech and audio codec USAC illustrates that the proposed stereo prediction approach provides significant improvements in coding efficiency and shows that at 96 kb/s, excellent quality can be obtained even for critical signals.

Methods for enhanced harmonic transposition

In systems for High Frequency Reconstruction (HFR) employing harmonic transposition, there is a risk of introducing artifacts due to conflicting design goals for stationary, transient, and periodic signals. We describe a filter bank implementation of the transposer which addresses this problem by window design, frequency domain oversampling, and cross products.

Decorrelation for audio object coding

Object-based representations of audio content are increasingly used in entertainment systems to deliver immersive and personalized experiences. Efficient storage and transmission of such content can be achieved by joint object coding algorithms that convey a reduced number of downmix signals together with parametric side information that enables object reconstruction in the decoder. This paper presents an approach to improve the performance of joint object coding by adding one or more decorrelators to the decoding process. Listening test results illustrate the performance as a function of the number of decorrelators. The method is adopted as part of the Dolby AC-4 system standardized by ETSI.

Delivering Scalable Audio Experiences using AC-4

AC-4 is a state-of-the-art audio codec standardized in ETSI (TS 103 190 and TS 103 190-2) and included in the DVB toolbox (TS 101 154 V2.2.1 and DVB BlueBook A157) and, at the time of writing, is a candidate standard for ATSC 3.0 as per A/342 part 2. AC-4 is an audio codec designed to address the current and future needs of video and audio entertainment services, including broadcast and Internet streaming. As such, it incorporates a number of features beyond the traditional audio coding algorithms, such as capabilities to support immersive and personalized audio, support for advanced loudness management, video-frame synchronous coding, dialog enhancement, etc. This paper will outline the thinking behind the design of the AC-4 codec, explain the different coding tools used, the systemic features included, and give an overview of performance and applications. It further outlines metadata aspects (immersive and personalized, essential for broadcast), metadata carriage, aspects of interchange of immersive programing, as well as immersive playback and rendering.