Marsha Kinder
University of Southern California
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Publication
Featured researches published by Marsha Kinder.
Film Quarterly | 1984
Marsha Kinder
The spectacular burgeoning of music videos poses many intriguing questions about the form and its institutional setting, as well as the relations between video and dreaming.
Film Quarterly | 1985
Marsha Kinder
A study of the phallic iconography of these two films, hitherto never compared, shows parallel strategies on the part of Ford and Eisenstein in elevating their extravagantly portrayed heroes into History.
Film Quarterly | 1974
Marsha Kinder
through response was wildly varied, it was uniformly passionate: Sweet Movie was attacked as an homage to Hitler, ridiculed as a 40-yearolds wet dream, and celebrated as a brilliant work of revolutionary anarchy. Meanwhile, in Southern California, Marco Ferreris The Grande Bouffe was presented, not on Hollywood Boulevard or in Westwood, but at the Fox Venice, a low-budget neighborhood theater that offers a different pair of third-run movies or old classics, creatively matched, every night of the week. Ferreris film ran for three nights, enabling audiences to choose another eating classic (Tom Jones, The Loved One, or The Discreet Charm of the Bourgeoisie) as a second course. The enthusiastic sell-out crowds included not
Archive | 1979
Terry Lovell; Christopher Williams; Beverle Houston; Marsha Kinder; Gretchen M. Bataille; Charles L. P. Silet; Alain; Odette Virmaux; Gabriel Miller
Archive | 1993
Marsha Kinder
Archive | 1996
Marsha Kinder; Christine W. Gailey; Lynn Okagaki; Peter A. Frensch; Yasmin B. Kafai; Sandra L. Calvert; Kaveri Subrahmanyan; Siu-Lan Tan; Rodney R. Cocking; Patricia M. Greenfield
Archive | 1999
Marsha Kinder
Film Quarterly | 2002
Marsha Kinder
Hispania | 1998
Marsha Kinder
Film Quarterly | 2004
Marsha Kinder