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Dive into the research topics where Michel Lorblanchet is active.

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Featured researches published by Michel Lorblanchet.


Science | 2018

U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art

Dirk L. Hoffmann; Christopher D. Standish; Marcos García-Diez; Paul Pettitt; J.A. Milton; João Zilhão; Javier Alcolea-González; P. Cantalejo-Duarte; H. Collado; R. de Balbín; Michel Lorblanchet; José Ramos-Muñoz; G.-Ch. Weniger; A.W.G. Pike

Neandertal cave art It has been suggested that Neandertals, as well as modern humans, may have painted caves. Hoffmann et al. used uranium-thorium dating of carbonate crusts to show that cave paintings from three different sites in Spain must be older than 64,000 years. These paintings are the oldest dated cave paintings in the world. Importantly, they predate the arrival of modern humans in Europe by at least 20,000 years, which suggests that they must be of Neandertal origin. The cave art comprises mainly red and black paintings and includes representations of various animals, linear signs, geometric shapes, hand stencils, and handprints. Thus, Neandertals possessed a much richer symbolic behavior than previously assumed. Science, this issue p. 912 Data from three ancient sites suggest that Neandertals were making cave paintings in Europe more than 64 thousand years ago The extent and nature of symbolic behavior among Neandertals are obscure. Although evidence for Neandertal body ornamentation has been proposed, all cave painting has been attributed to modern humans. Here we present dating results for three sites in Spain that show that cave art emerged in Iberia substantially earlier than previously thought. Uranium-thorium (U-Th) dates on carbonate crusts overlying paintings provide minimum ages for a red linear motif in La Pasiega (Cantabria), a hand stencil in Maltravieso (Extremadura), and red-painted speleothems in Ardales (Andalucía). Collectively, these results show that cave art in Iberia is older than 64.8 thousand years (ka). This cave art is the earliest dated so far and predates, by at least 20 ka, the arrival of modern humans in Europe, which implies Neandertal authorship.


Antiquity | 2003

A Neanderthal face? The proto-figurine from La Roche-Cotard, Langeais (Indreet-Loire, France)

Jean-Claude Marquet; Michel Lorblanchet

A worked stone from a secure Mousterian context has a bone splinter driven through it and appears to modern eyes like an attempt to represent a face. The authors argue that a face was indeed intended, and that the Roche-Cotard “proto-figurine” can be counted among the earliest art objects. At this place and date it should refer to a Neanderthal people.


Diogenes | 2007

The Origin of Art

Michel Lorblanchet

The very concept of the ‘birth’ or ‘origin’ of art may seem inappropriate, since humans are by nature artists and the history of art begins with that of humanity. In their artistic impulses and achievements humans express their vitality, their ability to establish a beneficial and positive relationship with their environment, to humanize nature; their behaviour as artists is one of the characteristics for selection favourable to the evolution of the human species. Evidence from a huge analysis of rock art and cave paintings and engravings shows that, from their origins, humans have also been Homo aestheticus.


Science | 2018

Response to Comment on “U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art”

Dirk L. Hoffmann; Christopher D. Standish; Marcos García-Diez; Paul Pettitt; J.A. Milton; João Zilhão; Javier Alcolea-González; P. Cantalejo-Duarte; H. Collado; R. de Balbín; Michel Lorblanchet; José Ramos-Muñoz; G.-Ch. Weniger; A.W.G. Pike

Slimak et al. challenge the reliability of our oldest (>65,000 years) U-Th dates on carbonates associated with cave paintings in Spain. They cite a supposed lack of parietal art for the 25,000 years following this date, along with potential methodological issues relating to open-system behavior and corrections to detrital or source water 230Th. We show that their criticisms are unfounded.


Nature Ecology and Evolution | 2018

Dates for Neanderthal art and symbolic behaviour are reliable

Dirk L. Hoffmann; Christopher D. Standish; A.W.G. Pike; Marcos García-Diez; Paul Pettitt; Diego E. Angelucci; Valentín Villaverde; Josefina Zapata; J.A. Milton; Javier Alcolea-González; Pedro Cantalejo-Duarte; Hipolito Collado; Rodrigo de Balbín; Michel Lorblanchet; José Ramos-Muñoz; Gerd-Christian Weniger; João Zilhão


Paléo: revue d'archéologie préhistorique | 2016

Nouvelle datatian du "masque" de La Rache-Cotard (Langeais, lndre-et-Laire, France)

Jean-Claude Marquet; Michel Lorblanchet; Christine Oberlin; Edit Thamo-Bozso; Thierry Aubry


PALEO. Revue d'archéologie préhistorique | 2016

Nouvelle datation du « masque » de La Roche-Cotard (Langeais, Indre-et-Loire, France)

Jean-Claude Marquet; Michel Lorblanchet; Christine Oberlin; Edit Thamo-Bozso; Thierry Aubry


PALEO. Revue d'archéologie préhistorique | 2016

New dating of the "mask" of La Roche-Cotard (Langeais, Indre-et-Loire, France)

Jean-Claude Marquet; Michel Lorblanchet; Christine Oberlin; Edit Thamo-Bozso; Thierry Aubry


Paléo: revue d'archéologie préhistorique | 2014

Les productions à caractère symbolique du site moustérien de La Roche-Cotard à Langeais (Indre-et-Loire, France) dans leur contexte géologique

Jean-Claude Marquet; Michel Lorblanchet; Yves Egels; José Esquerre-Pourtère; Maria-Sibylla Hesse


PALEO. Revue d'archéologie préhistorique | 2014

Symbolic character productions in the mousterian site of La Roche-Cotard in Langeais (Indre-et-Loire, France) and their geological context

Jean-Claude Marquet; Michel Lorblanchet; Yves Egels; José Esquerre-Pourtère; Maria-Sibylla Hesse

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A.W.G. Pike

University of Southampton

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Marcos García-Diez

University of the Basque Country

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