Miriam Redi

Visual Affect Around the World: A Large-scale Multilingual Visual Sentiment Ontology

Every culture and language is unique. Our work expressly focuses on the uniqueness of culture and language in relation to human affect, specifically sentiment and emotion semantics, and how they manifest in social multimedia. We develop sets of sentiment- and emotion-polarized visual concepts by adapting semantic structures called adjective-noun pairs, originally introduced by Borth et al. (2013), but in a multilingual context. We propose a new language-dependent method for automatic discovery of these adjective-noun constructs. We show how this pipeline can be applied on a social multimedia platform for the creation of a large-scale multilingual visual sentiment concept ontology (MVSO). Unlike the flat structure in Borth et al. (2013), our unified ontology is organized hierarchically by multilingual clusters of visually detectable nouns and subclusters of emotionally biased versions of these nouns. In addition, we present an image-based prediction task to show how generalizable language-specific models are in a multilingual context. A new, publicly available dataset of >15.6K sentiment-biased visual concepts across 12 languages with language-specific detector banks, >7.36M images and their metadata is also released.

6 Seconds of Sound and Vision: Creativity in Micro-videos

The notion of creativity, as opposed to related concepts such as beauty or interestingness, has not been studied from the perspective of automatic analysis of multimedia content. Meanwhile, short online videos shared on social media platforms, or micro-videos, have arisen as a new medium for creative expression. In this paper we study creative micro-videos in an effort to understand the features that make a video creative, and to address the problem of automatic detection of creative content. Defining creative videos as those that are novel and have aesthetic value, we conduct a crowdsourcing experiment to create a dataset of over 3, 800 micro-videos labelled as creative and non-creative. We propose a set of computational features that we map to the components of our definition of creativity, and conduct an analysis to determine which of these features correlate most with creative video. Finally, we evaluate a supervised approach to automatically detect creative video, with promising results, showing that it is necessary to model both aesthetic value and novelty to achieve optimal classification accuracy.

The beauty of capturing faces: Rating the quality of digital portraits

Digital portrait photographs are everywhere, and while the number of face pictures keeps growing, not much work has been done to on automatic portrait beauty assessment. In this paper, we design a specific framework to automatically evaluate the beauty of digital portraits. To this end, we procure a large dataset of face images annotated not only with aesthetic scores but also with information about the traits of the subject portrayed. We design a set of visual features based on portrait photography literature, and extensively analyze their relation with portrait beauty, exposing interesting findings about what makes a portrait beautiful. We find that the beauty of a portrait is linked to its artistic value, and independent from age, race and gender of the subject. We also show that a classifier trained with our features to separate beautiful portraits from non-beautiful portraits outperforms generic aesthetic classifiers.

Predicting Pre-click Quality for Native Advertisements

Native advertising is a specific form of online advertising where ads replicate the look-and-feel of their serving platform. In such context, providing a good user experience with the served ads is crucial to ensure long-term user engagement. In this work, we explore the notion of ad quality, namely the effectiveness of advertising from a user experience perspective. We design a learning framework to predict the pre-click quality of native ads. More specifically, we look at detecting offensive native ads, showing that, to quantify ad quality, ad offensive user feedback rates are more reliable than the commonly used click-through rate metrics. We then conduct a crowd-sourcing study to identify which criteria drive user preferences in native advertising. We translate these criteria into a set of ad quality features that we extract from the ad text, image and advertiser, and then use them to train a model able to identify offensive ads. We show that our model is very effective in detecting offensive ads, and provide in-depth insights on how different features affect ad quality. Finally, we deploy a preliminary version of such model and show its effectiveness in the reduction of the offensive ad feedback rate.

To Click or Not To Click: Automatic Selection of Beautiful Thumbnails from Videos

Thumbnails play such an important role in online videos. As the most representative snapshot, they capture the essence of a video and provide the first impression to the viewers; ultimately, a great thumbnail makes a video more attractive to click and watch. We present an automatic thumbnail selection system that exploits two important characteristics commonly associated with meaningful and attractive thumbnails: high relevance to video content and superior visual aesthetic quality. Our system selects attractive thumbnails by analyzing various visual quality and aesthetic metrics of video frames, and performs a clustering analysis to determine the relevance to video content, thus making the resulting thumbnails more representative of the video. On the task of predicting thumbnails chosen by professional video editors, we demonstrate the effectiveness of our system against six baseline methods, using a real-world dataset of 1,118 videos collected from Yahoo Screen. In addition, we study what makes a frame a good thumbnail by analyzing the statistical relationship between thumbnail frames and non-thumbnail frames in terms of various image quality features. Our study suggests that the selection of a good thumbnail is highly correlated with objective visual quality metrics, such as the frame texture and sharpness, implying the possibility of building an automatic thumbnail selection system based on visual aesthetics.

Multilingual Visual Sentiment Concept Matching

The impact of culture in visual emotion perception has recently captured the attention of multimedia research. In this study, we provide powerful computational linguistics tools to explore, retrieve and browse a dataset of 16K multilingual affective visual concepts and 7.3M Flickr images. First, we design an effective crowdsourcing experiment to collect human judgements of sentiment connected to the visual concepts. We then use word embeddings to represent these concepts in a low dimensional vector space, allowing us to expand the meaning around concepts, and thus enabling insight about commonalities and differences among different languages. We compare a variety of concept representations through a novel evaluation task based on the notion of visual semantic relatedness. Based on these representations, we design clustering schemes to group multilingual visual concepts, and evaluate them with novel metrics based on the crowdsourced sentiment annotations as well as visual semantic relatedness. The proposed clustering framework enables us to analyze the full multilingual dataset in-depth and also show an application on a facial data subset, exploring cultural insights of portrait-related affective visual concepts.

Like at First Sight: Understanding User Engagement with the World of Microvideos

Several content-driven platforms have adopted the ‘micro video’ format, a new form of short video that is constrained in duration, typically at most 5–10 s long. Micro videos are typically viewed through mobile apps, and are presented to viewers as a long list of videos that can be scrolled through. How should micro video creators capture viewers’ attention in the short attention span? Does quality of content matter? Or do social effects predominate, giving content from users with large numbers of followers a greater chance of becoming popular? To the extent that quality matters, what aspect of the video – aesthetics or affect – is critical to ensuring user engagement?

Rethinking Summarization and Storytelling for Modern Social Multimedia

Traditional summarization initiatives have been focused on specific types of documents such as articles, reviews, videos, image feeds, or tweets, a practice which may result in pigeonholing the summarization task in the context of modern, content-rich multimedia collections. Consequently, much of the research to date has revolved around mostly toy problems in narrow domains and working on single-source media types. We argue that summarization and story generation systems need to refocus the problem space in order to meet the information needs in the age of user-generated content in different formats and languages. Here we create a framework for flexible multimedia storytelling. Narratives, stories, and summaries carry a set of challenges in big data and dynamic multi-source media that give rise to new research in spatial-temporal representation, viewpoint generation, and explanation.

EE-USAD: ACM MM 2018Workshop on UnderstandingSubjective Attributes of Data focus on Evoked Emotions

The series of events devoted to the computational Understanding of Subjective Attributes (e.g. beauty, sentiment) of Data (USAD)provide a complementary perspective to the analysis of tangible properties (objects, scenes), which overwhelmingly covered the spectra of applications in multimedia. Partly fostered by the wide-spread usage of social media, the analysis of subjective attributes has attracted lots of attention in the recent years, and many research teams at the crossroads of multimedia, computer vision and social sciences, devoted time and effort to this topic. Among the subjective attributes there are those assessed by individuals (e.g. safety,interestingness, evoked emotions [2], memorability [3]) as well as aggregated emergent properties (such as popularity or virality [1]).This edition of the workshop (see below for the workshops history)is devoted to the multimodal recognition of evoked emotions (EE).

Friendly, Appealing or Both?: Characterising User Experience in Sponsored Search Landing Pages

Many of todays websites have recognised the importance of mobile friendly pages to keep users engaged and to provide a satisfying user experience. However, next to the experience provided by the sites themselves, advertisements, when clicked, present users with landing pages that are not necessarily mobile friendly. We explore what type of features are able to characterise the mobile friendliness of sponsored search ad landing pages. To have a complete understanding of the mobile ad experience in terms of layout and visual appearance, we also explore the notion of the ad page aesthetic appeal. We design and collect annotations for both dimensions on a large set of ads, and find that mobile friendliness and aesthetics represent different notions. We perform a comprehensive study of the effectiveness of over 120 features on the tasks of friendliness and aesthetics prediction. We find that next to general page size, HTML, and resource usage based features, several features based on the visual composition of landing pages are important to determine mobile friendliness and aesthetics. We demonstrate the additional benefit of these various types of features by comparing against the mobile friendliness guidelines provided by W3C. Finally, we use our models to determine the state of landing page mobile friendliness and aesthetics on a large sample of advertisements of a major internet company.