Network


Latest external collaboration on country level. Dive into details by clicking on the dots.

Hotspot


Dive into the research topics where Olivia Ladinig is active.

Publication


Featured researches published by Olivia Ladinig.


Proceedings of the National Academy of Sciences of the United States of America | 2009

Newborn infants detect the beat in music

István Winkler; Gábor P. Háden; Olivia Ladinig; István Sziller; Henkjan Honing

To shed light on how humans can learn to understand music, we need to discover what the perceptual capabilities with which infants are born. Beat induction, the detection of a regular pulse in an auditory signal, is considered a fundamental human trait that, arguably, played a decisive role in the origin of music. Theorists are divided on the issue whether this ability is innate or learned. We show that newborn infants develop expectation for the onset of rhythmic cycles (the downbeat), even when it is not marked by stress or other distinguishing spectral features. Omitting the downbeat elicits brain activity associated with violating sensory expectations. Thus, our results strongly support the view that beat perception is innate.


Annals of the New York Academy of Sciences | 2009

Is Beat Induction Innate or Learned? Probing Emergent Meter Perception in Adults and Newborns using Event-related Brain Potentials

Henkjan Honing; Olivia Ladinig; Gábor P. Háden; István Winkler

Meter is considered an important structuring mechanism in the perception and experience of rhythm in music. Combining behavioral and electrophysiological measures, in the present study we investigate whether meter is more likely a learned phenomenon, possibly a result of musical expertise, or whether sensitivity to meter is also active in adult nonmusicians and newborn infants. The results provide evidence that meter induction is active in adult nonmusicians and that beat induction is already functional right after birth.


Empirical Musicology Review | 2008

The Potential of the Internet for Music Perception Research: A Comment on Lab-Based Versus Web-Based Studies

Henkjan Honing; Olivia Ladinig

While the discussion on the integrity of data obtained from Web- delivered experiments is mainly about issues of method and control (Mehler, 1999; McGraw et al., 2000; Auditory, 2007), this comment stresses the potential that Web- based experiments might have for studies in music perception. It is argued that, due to some important advances in technology, Web-based experiments have become a reliable source for empirical research. Next to becoming a serious alternative to a certain class of lab-based experiments, Web-based experiments can potentially reach a much larger, more varied and intrinsically motivated participant pool. Nevertheless, an important challenge to Web-based experiments is to control for attention and to make sure that participants act as instructed; Interestingly, this is not essentially different from experiments that are performed in the laboratory. Some practical solutions to this challenge are proposed.


Music Perception | 2009

PROBING ATTENTIVE AND PREATTENTIVE EMERGENT METER IN ADULT LISTENERS WITHOUT EXTENSIVE MUSIC TRAINING

Olivia Ladinig; Henkjan Honing; Gábor P. Háden; István Winkler


Journal of Experimental Psychology: Human Perception and Performance | 2009

Exposure Influences Expressive Timing Judgments in Music.

Henkjan Honing; Olivia Ladinig


Archive | 2009

Temporal expectations and their violations

Olivia Ladinig


IEEE Transactions on Information Theory | 2006

The effect of exposure and expertise on timing judgments: Preliminary results

Henkjan Honing; Olivia Ladinig


European Journal of Dental Education | 2010

Complexity judgments as a measure of event salience in musical rhythms

Olivia Ladinig; Henkjan Honing


ESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music | 2009

Do newborn infants sense the beat

Henkjan Honing; Olivia Ladinig; Gábor P. Háden; István Winkler


Psychomusicology: Music, Mind and Brain | 2013

Minor Mode Cuing: Do Composers Signal Minor Mode Sooner Than Major Mode?

Olivia Ladinig; David Huron

Collaboration


Dive into the Olivia Ladinig's collaboration.

Top Co-Authors

Avatar
Top Co-Authors

Avatar

Gábor P. Háden

Hungarian Academy of Sciences

View shared research outputs
Top Co-Authors

Avatar

István Winkler

Hungarian Academy of Sciences

View shared research outputs
Top Co-Authors

Avatar
Top Co-Authors

Avatar
Researchain Logo
Decentralizing Knowledge