Peter J. Buckley

Mark Rothko, 1903-1970.

In 1933, at the height of the Great Depression, Mark Rothko and his wife Edith Sachar hitchhiked across the United States from New York City so that he could introduce her to his family in Portland. During their stay, the couple camped in a tent in Washington Park, and Mark Rothko composed hundreds of landscape views of the city and the rolling vistas that surround it. That summer, the Portland Museum of Art granted Rothko his first solo exhibition, which featured watercolors and tempera sketches executed during his sojourn in the city, along with examples of paintings by his art students in Brooklyn, New York.

Caravaggio (1571–1610)

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Agnes Martin, 1912–2004

Agnes Martin is recognized as one of the greatest practitioners of late 20th century abstract art. However, she eschewed such a categorization and declaimed, “I would like my work to be recognized as being in the classic tradition (Coptic, Egyptian, Greek, Chinese) as representing the ideal in the mind” (1, p. 37). Her biographer, Princenthal, observed, “Composed of the simplest elements, including ruled penciled lines andanarrowrangeof forms— grids, stripes, and very occasionally, circles, triangles or squares, they reveal an esthetic sense that is the equivalent of perfect pitch” (2, p. 7). Martin averred that her paintings came to her as “visions” complete in every detail. She suffered throughout her adult life from a recurrent fulminant psychotic illness that sometimes landed her in the hospital. Martin referred to her psychotic episodes as “trances.” She related to a friend, “I was in a perfect small church on Second Avenue in New York at Christmas time and hearing the Messiah. After three notes, I zonked out—in a trance—I’ve been in many trances, youknow.That’showtheyputmeaway inBellevue” (3, p. 103). The psychiatrist who treated her from 1985 to 2000 commented on “the depth of sensitivity with which she wasabletomakeart inthefaceofadisorderthat formanypeople would be devastating” (3, p. 159). Martin was born on the prairies of Saskatchewan. “My grandparents on both sides came from Scotland and they went on to the prairie in covered wagons—my parents were also pioneers” (4, p. 1). Her father died when she was 2 years old, and her family moved to Vancouver. As a teenager she was a talented competitive swimmer and invited participant in Olympic trials. Moving to Washington state as a young adult, she obtained a teaching certificate and worked in various rural schools. In 1941 she left forNewYorkCity,where she enrolled at Columbia’s Teachers College and took courses in studio art. In the late 1940s she moved to NewMexico and began painting. Martin returned to New York City in 1957 and became a member of an artistic community that included Jasper Johns, Elsworth Kelly, and Robert Rauschenberg at Coentes Slip, Starlight, 1963.

Paul Gauguin, 1848-1903.

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Wassily Kandinsky, 1866-1944

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