T. F. Earle
University of Oxford
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Archive | 2011
T. F. Earle
Antonio Ferreiras verse tragedy Castro , based on a famous incident taken from the history of Portugal and written in Portuguese, is a product of the middle years of the sixteenth century. There are formal or structural ambiguities also, particularly noticeable in Ferreiras treatment of the chorus. Ferreira conceived of his choruses not just as a way of introducing moralizing comment, but also, and principally, as a way of emphasizing the contradictory nature of the action and characters of his play. The traditional view that Castro is a Senecan play in Portuguese is true only in the sense that Ferreira owed a great deal formally to his Roman predecessor. Ferreiras play deals with the great issues of tragedy and of life, love, fate, time and death. Perhaps Ferreira is closer in spirit to the plays by Euripides that he knew, and the Neo-Latin tragedies of Buchanan, especially Jephthes . Keywords:Antonio Ferreiras; Castro ; Euripides; Jephthes ; Neo-Latin; Portuguese; Roman
Archive | 2005
T. F. Earle; Kate Lowe
Modern Language Review | 1992
Frank Pierce; T. F. Earle
Portuguese Studies | 2015
T. F. Earle
Archive | 2015
T. F. Earle; Catarina Fouto
Legenda (MHRA & Maney Publishing) | 2015
Catarina Fouto; T. F. Earle
Archive | 2013
T. F. Earle
ehumanista Journal of Iberian Studies | 2012
T. F. Earle
Archive | 2012
Catarina Fouto; T. F. Earle
Floema. Caderno de Teoria e História Literária | 2010
T. F. Earle