Takeshi Adachi
Yamaha Corporation
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Featured researches published by Takeshi Adachi.
Journal of the Acoustical Society of America | 1992
Takeshi Adachi; Yasushi Kurakake; Hideo Suzuki; Kotaro Mizuno
A tone visualizing apparatus for visualizing an inputted audio signal to thereby display an image corresponding to this audio signal includes at least a detector, image display (such as a CRT display unit) and display controller. The detector detects characteristics of the audio signal such as envelope, chord, spectrum signal components, number of zero-cross points and energy of the audio signal. The image display displays an image based on given image information which can be generated from a video tape recorder (VTR), a video disk unit or an image memory constituted by a semiconductor memory. The display controller controls the image display so that a display parameter of the image will be controlled based on the detected characteristics of the audio signal. For example, the display parameter can be set as size, brightness or colors of the image. Thus, the image is controlled so that the impression of the image will be matched with that of the audio tone.
Journal of the Acoustical Society of America | 1991
Takeshi Adachi; Kotaro Mizuno; Shigeru Yamada; Hideo Suzuki; Mamoru Kimpara
A musical tone visualizing apparatus includes at least an image memory for storing plural images relating to players and/or musical instruments of an orchestra, a display unit for displaying the images on a display screen thereof and a display control circuit for controlling the display unit so that displayed images can be varied in response to an inputted musical tone signal or inputted performance information outputted from an electronic musical instrument, for example. Hence, it is possible to move the players and musical instruments in response to performance of the electronic musical instrument, and it is also possible to selectively enlarge one display image of the player and musical instrument whose tone volume is the largest. Thus, the displayed images can be automatically varied in response to the performance of the electronic musical instrument.
Journal of the Acoustical Society of America | 1979
Takeshi Adachi
An automatic rhythm performance system is provided with a rhythm pattern changing circuit comprising a white noise source and a sample hold circuit which samples the output of the white noise source in response to a pulse signal occurring at the beginning of every measure of a rhythm to produce a sustained voltage of a sampled value which will be different for every measure. The sample hold circuit voltage is applied to a rhythm selecting circuit to modify the preselected pattern of the rhythm.
Journal of the Acoustical Society of America | 1979
Takeshi Adachi; Masahiko Koike
An electronic musical instrument comprises a plurality of tone generators for independently producing tone signals having slightly different frequencies, though fundamentally corresponding to the note of a key depressed on a keyboard; and a mixing circuit coupled to the outputs of the tone generators. The respective tone generators are provided with a control input and are brought to start in the same phase in response to application of an initial synchronizing pulse to the control inputs, thereby attaining clear rise of musical sounds immediately upon key depression. The synchronizing pulse may be produced necessarily at the instant of key depression only when an output of the mixing circuit has a amplitude level lower than a predetermined level.
Archive | 1990
Mamoru Kimpara; Takeshi Adachi
Archive | 1992
Mamoru Kimpara; Takeshi Adachi
Archive | 1993
Takeshi Adachi; Yasuhiko Asahi; Satoshi Suzuki; Junichi Mishima
Archive | 1981
Takeshi Adachi; Hideo Suzuki; Makoto Kaneko
Archive | 1991
Masahiko Hasebe; Takeshi Adachi; Yoshihiro Inagaki
Archive | 1978
Takeshi Adachi; Masahiko Koike; Haruyuki Suzuki