William Saturno

Putting Us on the Map: Remote Sensing Investigation of the Ancient Maya Landscape

A common problem for archaeologists studying ancient settlement in the Maya Lowlands is overcoming the dense vegetation in order to obtain an accurate regional perspective of the presence of archaeological sites, their exact locations and their overall extents. Most often this is done by extensive ground surveys in which many individuals chop parallel paths through the vegetation in search of sites. Once a site is found an effort is made to mark its location on a regional map and to explore its perimeter. Obtaining locational information has been made dramatically easier in recent years with the advent of improved Global Positioning Systems (GPS), however the process of initial identification of sites and the determination of their borders is exceedingly labor intensive and has remained relatively unchanged since the beginning of settlement surveys in the region in the 1950 s. Currently, we are revolutionizing settlement survey in the Maya Lowlands by using remotely sensed data from IKONOS, Quickbird, and Eo 1, satellites as well as airborne AIRSAR radar data. The Ancient Maya built their cities, towns and even their smallest hamlets using excavated limestone and lime plasters. We propose that the decay of these structures provides a unique microenvironment for the growth of vegetation as the levels of moisture and nutrition within the ruins vary substantially from those in the surrounding forest. These microenvironmental differences on the ground are likewise represented by compositional differences in the forest canopy both in the species present and in leaf color (representing moisture/nutritional stress) visible through the analysis of high-resolution satellite data. In this way the detailed analysis of forest composition can reveal a detailed picture of the ancient settlements that lie beneath it. Preliminary examinations using this technique have been very successful and we are refining these techniques in order to efficiently comprehend the details of Ancient Maya settlement in the Lowlands.

Ancient Maya Astronomical Tables from Xultun, Guatemala

Mayan Astronomy Mayan Codices are books written on bark in the few centuries before Columbus landed. Several record detailed hieroglyphic calculations of lunar and planetary motions and their relation to the Mayan calendar. Their predecessors have been unclear. Saturno et al. (p. 714) now describe a room in a Mayan complex in Guatemala dating to several centuries before the Codices that seems to have similar calculations on two of its walls. The east wall contains lunar calculations; the calculations on the north wall are more enigmatic, but may relate to Mars, Mercury, and/or Venus. Wall paintings in a Mayan temple dating to the 9th century C.E. show calculations of Moon and, perhaps, planetary motion. Maya astronomical tables are recognized in bark-paper books from the Late Postclassic period (1300 to 1521 C.E.), but Classic period (200 to 900 C.E.) precursors have not been found. In 2011, a small painted room was excavated at the extensive ancient Maya ruins of Xultun, Guatemala, dating to the early 9th century C.E. The walls and ceiling of the room are painted with several human figures. Two walls also display a large number of delicate black, red, and incised hieroglyphs. Many of these hieroglyphs are calendrical in nature and relate astronomical computations, including at least two tables concerning the movement of the Moon, and perhaps Mars and Venus. These apparently represent early astronomical tables and may shed light on the later books.

To Set before the King: Residential Mural Painting at Xultun, Guatemala

Abstract Maya murals depicting scenes of courtly life are well known from sites such as Bonampak; far less common are scenes depicting life outside the royal sphere. Recent excavations at Xultun in Guatemala have revealed well-preserved murals in a domestic context that offer a fresh perpective on life in the Maya court, that of the priests, scribes and artists who attended the royal governor. Here, the authors decode the images to reveal the lives and activities of those who planned, performed and recorded official events in Classic-period Xultun. One of only two well-preserved examples of eastern Maya lowland wall painting from the Late Classic period, this rare display of master craftsmanship outside of the royal court sheds new light on the lives of those who produced it.