Jean Davallon

Le pouvoir sémiotique de l’espace. Vers une nouvelle conception de l’exposition ?

The status of spaces is a question that lies at the very heart of the semiotics of exhibitions. This article offers a review of the changing technology of exhibition design – especially as applied in a museum’s approaches to points of view – to address the importance given to space in the design some of today’s exhibitions and, in particular, to understand how spaces are used to make them meaningful. Two exhibitions that are emblematic in terms of the use of space – of the Quai Branly museum collections and the opening exhibition for the Centre Pompidou-Metz – are analysed here to highlight the communicational issues underlying their uses of space.

Three views from overseas: the museum as a setting for educational outreach in the sciences

During their first visit to Brazil, in 2001, Michel Van Praet, Jean Davallon, and Daniel Jacobi - French researchers in the field of museology - discussed the complex nature of the museum experience. Professor Van Praet underscores the unique character of natural history museums and offers an evaluation of his work as head of the restoration project at Pariss Grande Gallery of Evolution, inaugurated in 1994. Professor Davallon discusses the contribution of semiotics and reception theory in analyzing how an exhibit communicates and how meaning is constructed within it. Dr. Jacobi defines some characteristics of the dissemination of science at museums and points to problems encountered in achieving this end.