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Dive into the research topics where Jean-Jacques Embrechts is active.

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Featured researches published by Jean-Jacques Embrechts.


international conference on acoustics, speech, and signal processing | 2013

Efficient database pruning for large-scale cover song recognition

J. Osmalskyj; Sébastien Pierard; M. Van Droogenbroeck; Jean-Jacques Embrechts

This paper focuses on cover song recognition over a large dataset, potentially containing millions of songs. At this time, the problem of cover song recognition is still challenging and only few methods have been proposed on large scale databases. We present an efficient method for quickly extracting a small subset from a large database in which a correspondence to an audio query should be found. We make use of fast rejectors based on independent audio features. Our method mixes independent rejectors together to build composite ones. We evaluate our system with the Million Song Dataset and we present composite rejectors offering a good trade-off between the percentage of pruning and the percentage of loss.


Journal of the Acoustical Society of America | 2011

Numerical evidence of mixing in rooms using the free path temporal distribution

Alexis Billon; Jean-Jacques Embrechts

The ergodic propriety of a room has strong effects on its reverberation. If the room is ergodic, the reverberation can be broken up in two steps: a deterministic process followed by a stochastic one. The late reverberation can be then modeled by a reverberation algorithm instead of more computationally consuming methods. In this study, the free path temporal distribution obtained by ray-tracing is used as an indicator of the rooms mixing: the energetic average of the path lengths is computed at each time step. Ergodic rooms are thus characterized by rapidly convergent distributions. The free path value becomes independent of time. On the other hand, path selection mechanism and orbits are observed in non-ergodic rooms. The transition time from the deterministic process to the stochastic one is also studied through the evaluation of the rooms time constant. It is shown that its value depends only on the mean free path and the boundaries scattering value. An empirical expression is obtained which agrees well with simulations carried out in a concert hall. This transition time from a deterministic model to a stochastic one can be used to speed up the acoustical predictions and auralizations in ergodic rooms.


Journal of the Acoustical Society of America | 2013

Prediction and measurement of the random-incidence scattering coefficient of periodic reflective rectangular diffuser profiles

Isabelle Schmich-Yamane; Jean-Jacques Embrechts; Markus Müller-Trapet; Christophe Rougier; Michael Vorländer

Periodic reflective rectangular diffuser profiles have been previously studied by Embrechts through an analytical method calculating their random incidence scattering coefficients. This paper presents the results of further investigations obtained by real-scale and 1:5th scale random incidence scattering coefficient measurements on these profiles. All measurements were performed according to the corresponding ISO 354 and ISO 17497-1 standards. The measurement results are compared with the calculation results derived by the analytical method. Although some periodic profiles could not be treated by the analytical model, fairly good agreements are obtained between the different approaches. The real scale and 1:5th scale measurement results are also presented and compared.


international conference on d imaging | 2013

A new validated method for improving the audiovisual spatial congruence in the case of stereoscopic-3D video and wave field synthesis

Cédric André; Etienne Corteel; Jean-Jacques Embrechts; Jacques Verly; Brian F. G. Katz

While 3D cinema is becoming increasingly established, little effort has focused on the general problem of producing a 3D sound scene spatially coherent with the visual content of a stereoscopic-3D (s-3D) movie. The perceptual relevance of such spatial audiovisual coherence is of significant interest. In this paper, we explain why the combination of accurate sound positioning and stereoscopic-3D images can lead to an incongruence between the sound and the image for multiple spectators. Then, we adapt to s-3D viewing a method originally proposed for 2D images in the literature to reduce this error. Finally, a subjective experiment is carried out to prove the efficiency of the method.


international symposium/conference on music information retrieval | 2015

Combining Features for Cover Song Identification

Julien Osmalsky; Jean-Jacques Embrechts; Peter Foster; Simon Dixon


Archive | 2012

Sound for 3D Cinema and the Sense of Presence

Cédric André; Jean-Jacques Embrechts; Jacques Verly; Marc Rébillat; Brian F. G. Katz


Journal of The Audio Engineering Society | 2011

Object-Based Sound Re-Mix for Spatially Coherent Audio Rendering of an Existing Stereoscopic-3D Animation Movie

Marc Evrard; Cédric André; Jacques Verly; Jean-Jacques Embrechts; Brian F. G. Katz


international symposium/conference on music information retrieval | 2016

Enhancing Cover Song Identification with Hierarchical Rank Aggregation

Julien Osmalsky; Marc Van Droogenbroeck; Jean-Jacques Embrechts


Journal of The Audio Engineering Society | 2013

Nonlinear guitar loudspeaker simulation

Thomas Schmitz; Jean-Jacques Embrechts


Acta Acustica United With Acustica | 2013

A Diffraction Model for Acoustical Ray-Tracing Based on the Energy Flow Lines Concept

Alexis Billon; Jean-Jacques Embrechts

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Brian F. G. Katz

Centre national de la recherche scientifique

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Anas Sakout

University of La Rochelle

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Antoine Minard

University of La Rochelle

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